Performance Symposium at MoMA: How Are We Performing Today?
Here’s livestream of MoMA’s panel. Check it out and let us know your responses!
Through this conference, MoMA’s Department of Media and Performance Art seeks to deepen its engagement with the theory and practice of performance-related art and with the public discourse about it—reflecting on the medium’s changing parameters, modes of production, and presentation.
NOVEMBER 16
INTRODUCTION by Sabine Breitwieser, Chief Curator, Department of Media and Performance Art, MoMA
KEYNOTE ADDRESS
Judith Butler, Professor of Rhetoric and Comparative Literature and Co-director of the Program of Critical Theory, University of California, Berkeley
Shannon Jackson, Professor in the Arts and Humanities, University of California, Berkeley
Discussion moderated by Sabine Breitwieser
SESSION 1: THE PLACES OF PERFORMANCE
Rachel Haidu, Associate Professor in the Department of Art and Art History and the Graduate Program in Visual and Cultural Studies, University of Rochester
Andrea Fraser, artist and Professor for New Genres, University of California, Los Angeles
Discussion moderated by Johanna Burton, Director, graduate program at the Center for Curatorial Studies, Bard College
NOVEMBER 17
INTRODUCTION by Sabine Breitwieser, Chief Curator, Department of Media and Performance Art, MoMA
SESSION 2: NEW FORMATS
Pierre Bal-Blanc, Director, CAC Brétigny, Paris, France
Boris Charmatz, Director, Rennes and Brittany National Choreographic Centre (Musée de la Danse)
Tim Griffin, Executive Director and Chief Curator, The Kitchen, New York
Stephanie Rosenthal, Chief Curator, Hayward Gallery, London
Discussion moderated by Ana Janevski, Associate Curator of Performance, Department of Media and Performance Art, MoMA
SESSION 3: NEW ARTISTIC PRACTICES
Jutta Koether, artist, writer, and Professor, Hochschule für bildende Künste (HfbK), Hamburg
Jay Sanders, Curator of Performance, The Whitney Museum of American Art, New York
Simon Leung, artist and Professor of Art, University of California, Irvine
Emily Roysdon, artist and writer
Discussion moderated by Claire Bishop, Associate Professor in Art History, CUNY Graduate Center, New York
ARCHIVAL CASE STUDIES
Jonathan Lill, Project Archivist, MoMA; Michelle Elligott,Archivist, MoMA; and David Senior, Bibliographer, MoMA
Download the full symposium agenda in PDF format (Adobe Acrobat Reader required).
How are we performing today? is made possible by MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation.
In conjunction with the exhibition Performance Program