A Report from the Latest Edition of The Current Sessions
A group of young dance-makers displays some incredible movement talent, but...
Monthly Archives: November 2011
Shen Wei Takes Over the Armory (& the Rest of a Very Busy Week)
Our too-much-to-do list includes Peter Jacobs' new show at the Chocolate...
Andy’s Random Reviews from New Opera to Afrobeat
A belated write-up for several shows Andy saw over the past...
Diana Szeinblum’s ALASKA in HD at BAM
Diana Szeinblum's "Alaska" will be shown in HD at BAM Rose...
Visual Art Performance vs. Contemporary Performance
What is the difference between Visual Art Performance and Contemporary Performance...
Democracy, Art & Critics, or, What Happens to Important Stuff If There’s No One to Call It Important?
Michael Kaiser has been rightly ran through the ringer, but in...
John Jasperse’s “Canyon” Starts Strong Then Staggers Weakly to a Close
The talented choreographer's newest work, at BAM's Next Wave Fest, starts...
Why Aren’t Audiences Stupid? (Andy Version)
Andy adds his $.02 to Jeremy's response to Michael Kaiser's HuffPo...
Mashinka Firunts and Danny Snelson’s “Semiospectacle Nº 2″ at the IRT Theater
Sesquipedal performer and Culturebot contributor Mashinka Firunts returns to New York...
Why Aren’t Audiences Stupid?
Michael Kaiser laments that cultural elites can't put a ticket-buying fear...
Tom Bradshaw’s “Burning” on Theatre Row
Anal sex, cocaine and pederasty - Thomas Bradshaw is up to...
“The Climate Chronicles” at Incubator Arts Project
Donovan & Calderón's new show at Incubator Arts Project is a...