Bronx Gothic – Okwui Okpokwasili
“The world becomes a universe in my belly.”
Monthly Archives: October 2015
Another 37 Reasons to Cry (a Warholian Production) – Raja Feather Kelly/the feath3r theory
Both Warhol and Buzzfeed would be happy about pursuing an obvious choice, I think.
Nude Body
thINKingDANCE’s Zornitsa Stoyanova reflects on performing unclothed in “shatter:::down” and “Mylar Storms”. Philadelphia, 2013.
Patricia Hoffbauer / Jesse Zaritt & Jumatatu Poe @ Gibney Dance
Hannah reflects on Patricia Hoffbauer’s “Dances for Intimate Spaces and Friendly People” and Jesse Zaritt & Jumatatu Poe’s “More Mutable Than You”.
‘Barbecue’ Serves Up A Heaping Plate of Skepticism about Hollywood
Everyone has secrets that come out “when it’s just family”. Intertwining layers of deceit and secrecy fall by the wayside with one’s relatives, allowing identity politics to play out in a grand fashion. Accordingly, many secrets are employed and revealed by playwright Robert O’Hara (Bootycandy)
On Not Bowing
They’re going to tensely wait until we are done clapping so this liminal purgatory between art and not art can be over. They’re going to endure this awkwardness.
Silas Riener’s BLUE NAME @ The Chocolate Factory
Silas Riener, BLUE NAME, The Chocolate Factory, Oct 14-28, 2015.
The Futurity is a Musicality
A non-machine-based response to ‘Futurity’, a co-production between Ars Nova & Soho Rep playing at the Connelly Theater through Nov. 15, 2015.
Response to MEDEA – Where Words Fail
A response to Teatro Patologica di Roma’s MEDEA at La MaMa
BRAVE NEW WORLD
Miranda July’s “New Society” at BAM Fisher, Oct. 7-10, 2015 Next Wave Festival.
Let The Machine Get It
A response to Rude Mechs and Deborah Hay’s MATCH-PLAY at New York Live Arts
Adrienne Truscott’s Asking For It: A One-Lady Rape About Comedy Starring Her Pussy and Little Else
Tequila shots are passed around before the show starts. A friendly gesture to start off with the right attitude or a kind warning: you might need this to better navigate the next hour. Maybe both. Loud music starts, and Truscott comes on stage wearing a