Eating up & carving out: Cynthia Oliver and David Thomson discuss “Sister”
Stormy talks to Cynthia Oliver and David Thomson about Tere O’Connor’s “Sister” (American Realness, Jan. 9 and 11, 2015)
Tag Archives: abrons arts center
Chatting With Andy Field, Co-Director of the Forest Fringe
“I kind of see the Edinburgh Fringe Festival as the hideous and perfect mirror of late globalized capitalism,” the British artist Andy Field told me in a recent Skype conversation. “It’s nominally open and democratic—anyone can participate in it—but there are so many barriers to
Talking with the Creators of “Ubu Sings Ubu”
Tony Torn and Dan Safer talk about how they out together the coolest show onstage this month
Richard Maxwell Discusses “Isolde”
In the company’s newest show, Richard Maxwell comes closer than ever before to a conventional well-made play. But for him, it’s all part of the process of interrogating our most basic assumptions about the theater
Pig Iron’s “Twelfth Night” is Perfect
Pig Iron’s “Twelfth Night”is pitch-perfect and delightful. Save your money, skip Broadway or the RSC at BAM and run to Abrons Arts Center.
The Culturebot Guide to January Festival Season in NYC
Culturebot’s completely unbiased guide to January Festival Season in NYC. At your service to help manage the Madness.
Queering the Discourse
The Queer New York International Arts Festival returns to NYC – harder, better, faster, stronger.
Chorus of All Souls at Abrons Arts Center
Experiments in Opera and Vision into Art present “Chorus of All Souls”, a program of new opera at the Abrons Art Center.
myendlesslove at abrons starts october 9
Marin Sander-Holzman talks to Miguel Gutierrez about his show myendlesslove opening at Abrons on 10/9.
From Jenn to Maria (30 December, 2012)
Jenn Joy on Maria Hassabi’s “Show” – playing this week at American Realness.
Pavel Zuštiak on “The Painted Bird” Trilogy
A conversation with the choreographer and Guggenheim fellow about how “The Painted Bird Trilogy” took shape (fittingly, in a garden with screeching peacocks in the background).
The Power of Absence
An offstage presence provides the structure in both Gideon Obarzanek’s “Faker” and “CITY”, by the BLOOM! Dance Collective.