French choreographer David Wampach‘s Sacre at the Invisible Dog Art Center (unrecognizable- its white gallery/warehouse vibe magically transformed into a black box theater) was a brief and powerful nugget inspired by Nijinsky’s controversial Rite of Spring. This performance was presented by the ‘Dog, PS122’s COIL
The NY-based director discusses her collaboration with choreographer/dancer Anne Juren, part of PS 122’s 2013 COIL Festival
Oh good lord I’m tired. This January thing is killer, huh? I’m not even seeing shows today–it’s meetings and parties and interviews and so on. But it’s good. I’ve been pleasantly surprised by how nicely Dixon Place has served as the COIL Festival hub, and
Did you miss Ich, Kurbisgeist at The Chocolate Factory? Curious about what Annie-B, Paul and their ever-evolving band of collaborators are up to? Then make it over to Dixon Place on Friday, January 11, grab a drink at The Lounge and settle in from 7:30 –
So, over at Culturebot we have a great interview up with Minneapolis choreographer/performer Emily Johnson, whose Niicugni is part of this year’s COIL Festival (she’ll be up at Baryshnikov Arts Center Jan. 9-12). Coincidentally, I also interviewed Johnson before her last NYC appearance, with The
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The Minneapolis-based choreo returns to NYC as part of PS 122’s COIL Festival
Went to The Kitchen Saturday for the opening night of Radiohole’s newest work Inflatable Frankenstein. It was an incredible return to form – or maybe next step – for one of my absolute favorite performance groups. After Whatever, Heaven Allows (that felt rather inert & lifeless to me, not
On the centenary of Stravinski and Nikinski’s era-defining ballet, the emerging French choreographer returns to New York with his own response
“We’ve always had an interest in making things, in making ‘stuff.’ I’ve always been interested in theater as a visual medium.”