Steve Paxton on Robert Ashley Opera-Novel Quicksand
That is, of course, impossible, I don’t know what Ashley was thinking [laughter].
That is, of course, impossible, I don’t know what Ashley was thinking [laughter].
Angela Mariana Schöpke talks with Stephen Petronio, Laurie Uprichard, Andrea Weber, and Meg Harper about Stephen Petronio Company’s inauguration of “Bloodlines” at The Joyce Theater, April 7-12.
Announcing the official launch of Petron.io, the digital of hub of the Petronio matrix.
Lydia Mokdessi talks to Stephen Petronio about his new work “Like Lazarus Did” and various other resurrections.
Andy responds to Danspace Project’s Conversations Without Walls about “Some Sweet Day” at MoMA, recording included.
This is the third article in a multi-part essay Andy is writing that examines the relationship between performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.
Stephen Petronio explains the history of post-modern dance by, well, dancing it. Beautiful and amazing.