Considering Voiceover – via Kate Benson’s [Porto] at the Bushwick Starr
Benson’s voiceover technique does all the good stuff and almost none of the bad stuff that you usually get from utilizing a narrator in the theater.
Benson’s voiceover technique does all the good stuff and almost none of the bad stuff that you usually get from utilizing a narrator in the theater.
Several times, misdirected/redirected, freezing and running in white-out conditions, I wondered why bother at all. But, sometimes it’s all you can do to just show up… 2 American Realness Discourse Talks, 2 Works-in-progress, 1 tight bit o’ dance.
A conversation with playwright Kate Benson and director Lee Sunday Evans on their new play, [PORTO], at The Bushwick Starr
La Mama dispatch for PS 122’s COIL Fest, Pavel Zustiak’s “Custodians of Beauty” and “Bastard (The Painted Bird: Part 1)” and Squirts intergenerational queer pairings with stand up sets from Patti Harrison and Marga Gomez. To start the year alternating between bent over from either despair or because I might laugh so hard that the tears trickle down my legs felt fitting to my polar emotional swings of late.
What a fucking metaphor you guys.
How will we ever go back after the planting that guest curator Eva Yaa Asentawaa sowed during last week’s “the skeleton architecture, or the future of our worlds?”
French choreographer and breakdance world champion Anne Nguyen‘s Autarcie (…), presented by the Crossing the Line Festival and Dancing in the Streets at Gibney Dance Center from September 29 to October 1, 2016, is rooted in hip-hop but aims to open a new space within
We’re invited to look in, but our presence isn’t required.
Being an artist is another way of negotiating a place as a citizen.
The trouble and the treasure of writing about modern adaptations of ancient myths is that there is too much context and too many references from centuries of retelling and analysis, so that I could read about Phaedra the myth and Phaedra the woman for the
Maura Donohue reflects on the political relevance of La Mama’s production of “Pylade” in NYC and on tour in Europe.
Come as you are. come with your confusion, your sadness, your contradiction.