Ant Hampton and the Nightmare of Global Capitalism
In the latest from the “autoteatro” auteur, Hampton delivers a stinging indictment of global capitalism that provides more symptoms than diagnosis
In the latest from the “autoteatro” auteur, Hampton delivers a stinging indictment of global capitalism that provides more symptoms than diagnosis
Open Spectrum Dialogues @ New York Live Arts, Produced in Association with MAPP International Productions and Critical Partner, Culturebot.
“Does art actually DO anything? That’s very nestled into my concept of time travel.”
There’s a way that the people around me and with me have developed a way of interacting with the world and creating meaning with their bodies—with their physicality and their energy—that is in opposition to expectations.
It’s basically “A Christmas Carol” meets the Spectrum [queer club in Brooklyn]. (maniacally laughs).
Sister Sylvester’s new piece, They Are Gone But Here Must I Remain, opens with the company’s founder and director, Kathryn Hamilton, cheerfully and pragmatically laying out a few basic facts concerning her subject of interest: a documentary film called The Fall shot in 1968 by
An interview with Francis Weiss Rabkin
Celebrate, agitate, generate! Artists mark the 25th Anniversary of the ADA with more deformity than in Bradley Cooper’s worst nightmares. This revolution will not be telethon-ised, you have to see it live!
—Mat Fraser, curator of CripFest
Tara talks to Ben Gansky and Peter Mills Weiss of GRANDMA about “make people (Part 1)” at ANT Fest at Ars Nova.
Ilan Bachrach on the road from actor to festival impresario
Thoughts on Anne Washburn’s 10 out of 12
On May 12, 2015, Gibney Dance hosted a panel titled “Dance Criticism in New York.” The event was moderated by dance writer and blogger Eva Yaa Assantewaa and included fellow dance writers Rose Ann Thom, Jaime Shearn Coan, A. Nia Austin-Edwards, Siobhan Burke, Charmaine Warren