From Black Box to Broadway
Daniel Fish’s “Oklahoma!” in Los Angeles, Taylor Mac, Kiki and Herb and other tales of “Black Box to Broadway”. Essay #3 in a series about the unique power of live performance in small venues.
Daniel Fish’s “Oklahoma!” in Los Angeles, Taylor Mac, Kiki and Herb and other tales of “Black Box to Broadway”. Essay #3 in a series about the unique power of live performance in small venues.
That time I saw Kristen Kosmas in 1992 and it blew my mind. The first in a series of essays about the power of live performance in small rooms.
Okay. I wrote a really long discursive essay about The Theater(s) We Need Now – and I didn’t even dive too deep into the arts admin weeds – but I know how things are, I know what life is like, I know everybody’s busy so
How will we ever go back after the planting that guest curator Eva Yaa Asentawaa sowed during last week’s “the skeleton architecture, or the future of our worlds?”
Yes! A literal PARADE of surface level DIVERSITY.
Join us for Community of Practice Season 2: January 23, February 20, March 19
Book excerpt: The Sovereign Soloist – States of Exceptional Labor and “State of Darkness” by Richard Move
Philosopher Alva Noë joins Jess Curtis and Claire Cunningham at CounterPulse in SF
The following is an excerpt from Chapter 20 (pp. 261 – 264) of Mark Fisher’s book How To Write About Theatre, published by Bloomsbury and released in paperback in August, 2015. In any discussion about theatre and criticism, there’s usually one wag who stands up
Tara Sheena chats with Jaamil Kosoko about Open Spectrum Critical Dialogues at New York Live Arts.
Culturebot on DanceUSA’s e-journal article “Is American Modern Dance a Pyramid Scheme?” Part I
“Theatre is about bringing people together. It’s not easy, it’s not cheap, and it takes a lot of work.”