These moments of transparency and revealed infrastructure are strictly intended.
The Chocolate Factory Theater in Queens could present difficulties for an artist looking for an unobstructed space in which to realize his or her vision. Choreographer Beth Gill, however, used the theater’s odd dimensions and bare brick walls to her advantage in her latest work,
Rennie McDougall responds to Joanna Kotze’s FIND YOURSELF HERE at Baryshnikov Arts Center.
Katie Gaydos responds to New York Live Arts’ Live Ideas Festival.
Lydia’s thoughts on Faye Driscoll’s “Thank You For Coming” at Danspace at Beth Gill’s “New Work for the Desert” at NYLA
Lydia Mokdessi on Gwen Welliver’s Beasts and Plots.
This is the third article in a multi-part essay Andy is writing that examines the relationship between performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.
read the write-up on culturemonster and check out the complete listing after the jump…
Baryshnikov Arts Center announced its fall dance season today and it looks great! PIERRE RIGAL Press September 10-12, 2009 Thu and Fri at 8 PM, Sat at 2 PM & 8 PM Tickets: $20 Howard Gilman Performance Space French choreographer and performer Pierre Rigal returns
The following is a review of The Wooster Group’s La Didone at REDCAT by L.A.-based writer Matthew Lurie. First things first: Many potential attendees will justifiably wonder whether knowing La Didone or Planet of the Vampires, the two main texts on display here, should be
The Portland Institute for Contemporary Art (PICA) announces the lineup for the seventh annual 2009 Time-Based Art Festival (TBA:09) September 3-13, 2009 FESTIVAL INFORMATION 2009 Time-Based Art Festival (TBA:09) September 3 – 13, 2009, visual exhibitions and installations through October, 2009 Portland, Oregon USA Festival