Edit Kaldor C’est Du Chinois Promo from UTRFestival on Vimeo. Edit Kaldor’s C’est du Chinois, which opens at Under the Radar tonight, is one of the shows I was most interested in at this year’s festival. I was really hoping to get to do a
Jeanine Durning interviewed by Marin Sander-Holzman for AMERICAN REALNESS 2013
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How’s that for a series of possessives? Am I right? Ugh. I am. What a clusterfuck. January is upon us and…? Well? We got previews over at the mothership. Check ’em: Bodycartography Project (COIL/American Realness) David Wampach (COIL) Emily Johnson (COIL) Radiohole (COIL) Kristen Kosmas
What happens to “the sublime” of European Romanticism after the death of the author and the birth of tumblr? Can you “share” it? Can you “like” it? And can you stage it? “I would love if someone saw the show and said, ‘I’m going to
Bodycartography Project talk their new show at COIL
The Minneapolis-based choreo returns to NYC as part of PS 122’s COIL Festival
This has been making its way around Facebook, but for those who don’t know, the iconic artist María Irene Fornés has been suffering through the late stages of Alzheimer’s. While that’s tragic enough, due to her worsening condition (reportedly she’d stopped eating, due to depression
CULTUREBOT and Under The Radar present a series of Long Table conversations on the most current and compelling ideas at work in the field of contemporary theater and the conditions in which it is being made. Join leading practitioners, thinkers and supporters of contemporary theater for lively discussions on the state of the field and what the future might hold.
Went to The Kitchen Saturday for the opening night of Radiohole’s newest work Inflatable Frankenstein. It was an incredible return to form – or maybe next step – for one of my absolute favorite performance groups. After Whatever, Heaven Allows (that felt rather inert & lifeless to me, not
On the centenary of Stravinski and Nikinski’s era-defining ballet, the emerging French choreographer returns to New York with his own response
“We’ve always had an interest in making things, in making ‘stuff.’ I’ve always been interested in theater as a visual medium.”