Anna Christie – a response
O’Neill succeeds in using a traditional four act structure to present what one can only imagine were revolutionary feminist ideas when this play was first produced.
O’Neill succeeds in using a traditional four act structure to present what one can only imagine were revolutionary feminist ideas when this play was first produced.
Tomatoes are everywhere: thrown out of nowhere onto stage at big pivotal moments, characters reborn into tomato plants, still communicating in death.