Check out this interview with Susan Bernfield and Emily DeVoti of New Georges by Theater2K editor Brook Stowe.
So, another Arts Presenters Conference has come and gone, leaving behind a sea of exhausted performers and curators.
Some of you may remember Radiohole from last season’s Postmodern Arctic Performance Spectacle None of It: More or Less Hudson’s Bay, Again at P.S. 122. Well, they’re at it again, cooking up an anarchic new theatrical invention called Radiohole Is Still My Name.
Culturebot has spies everywhere! Over the holidays one of our intrepid Culturebot Agents braved the Atlantic and journeyed to London to bring back tales of Jerry Springer: The Opera.
Last night P.S. 122 started off 2004 with two new shows and a huge party.
(The second part of our interview with Mark Russell)
(photo by Anna Barry-Jester for the Village Voice) For the past twenty years Mark Russell has been the executive and artistic director of P.S. 122. In December 2003 he resigned from his position to seek out new and bigger challenges. Culturebot took this opportunity to
Tim Etchells is the artistic director of Forced Entertainment. His show, Instructions for Forgetting, opens this Thursday. Martin Denton from NYTheatre.com interviews him here.
This cultural moment belongs to pirates. Pirates of the Carribbean and Peter Pan are just the latest signals of the ascendancy of piracy among the eternal goofy pantheon of robots, ninjas, and monkeys.
We’re still working on the “upcoming” section, but I thought I’d let everyone know what’s going on in January at P.S. 122 – House of No More and Instructions for Forgetting – the shows coincide with the semi-official launch of culturebot.org on January 8th. (cross
Kyle Jarrow is a NYC-based playwright, musician and performer whose work has been seen at P.S. 122, HERE Arts Center, Boston Theatre Works, New Dramatists, The Hangar Theatre, Collective: Unconscious, and Dad’s Garage in Atlanta among others. Kyle was runner-up for the 2002 Princess Grace
Culturebot admits that he has not always been a dance aficionado. In fact, until recently whenever I heard the word “dance” I ran screaming in the other direction. But the responsibilities of being a cultural man-about-downtown have brought me into proximity with quite a bit