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a quick one while he’s away

Sorry for not updating for awhile. Things have been crazy busy and the Culturebot team of trusty interns is still getting oriented. So, while we try and come up with more exciting content for you here’s a few newsy tidbits: The Imagine04 website is live.

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Sherry Vine

Sherry Vine was born in Los Angeles in 1991, lived in NYC until 2001 and now resides in Berlin. Sherry has starred in the smash theatrical productions of The Bad Weed ’73 (in NYC, LA and Provincetown) e.s.p – Eyes of a Supermodel Psychic, The

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war is peace and other doublespeak

Culturebot usually focuses on arts & culture, but I just got back from seeing Michael Moore‘s new film Fahrenheit 9/11 and so I’m going to get a little political on your a**. Go. See. This. Movie. As a long-standing member of the liberal left and

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That’s So Gay!

So we’ve been really busy. So busy, in fact, that we forgot to post an announcment about the WYSIWYG Talent Show we had tonight. It was for Gay Pride and was called That’s So Gay: Tales of Extremely Gay Gayness. It rocked. Sold out crowd.

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Taylor Mac

Taylor Mac (actor/Playwright/Performance Artist) is author and performer of the solo-shows, “The Face of Liberalism,” “Okay,” and “Cardiac Arrest or Venus on a Half-Clam.” He has performed in a variety of venues including PS 122, Joe’s Pub, FEZ, CBGB’s, and the San Francisco Opera House.

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Dancing without Soft Pants

It’s been a year since Jenny Seastone Stern started her bi-monthly (which means every other month, not twice a month, for all you idiots like me out there) emerging artist dance/performance series. I’m a little embarrassed to admit that this one, Catch 6 (as in

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Talking to Ping Chong and Michael Rohd

During a visit to my hometown in Ohio, a friend invited me to Kent State University’s production of Blind Ness The Irresistible Light of Encounter. The show is a multi-disciplinary theater work that uses movement, puppetry and projections to explore Joseph Conrad’s Heart of Darkness,

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Northern Nights

Here at Culturebot we see lots of shows. Sometimes we go out of devotion to an artist, sometimes we go because we’ve heard good things through the grapevine, and sometimes we go just because we’re curious – which is why I attended Norwegian playwright Jon

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How Now, Wau Wau

“I mean, maybe you run into people that you admire, or respect, but how often do you get to speak to someone (two someones) that you actually want to BE? Who doesn’t want to be a Wau-Wau Sister? They’re funny, famous, flexible, and have INCREDIBLE