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This is Not a Drill!!!
Contributor Sophie Frizzell on “The Wish,” a collaborative play by Justice Hehir’s, Dena Igusti, Phanésia Pharel, Nia Akilah Robinson, and Julia Specht, about the state of abortion access in America post-roe. Part play, part living document, The Wish was performed at Pluto’s Loft in Tribeca this past November.
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The Myth of Zero Risk
Contributor Maia Sauer on Sacha Vega’s PINCH, performed at 3AM Theatre in Queens this past December.
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A woman tries to answer emails; You might have to look somebody else in the eye
Hillary Gao and Ann Marie Dorr in conversation with William Burke about Gao’s “I Want to Hold On to Something Beautiful and Empty” and Dorr’s “I’m Going to Take My Pants Off Now” | The Exponential Festival 2026
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A Family Affair: Mare Nostrum Elements at the Tank for IHRAF 2025
Theo Armstrong on new works by A Heather Dutton/Middle Child Dance Theatre, Emily Tarrier + Emory Ferra Campbell, and Ke’ron J. Wilson
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Shared Dreams, Temporary Realities
Contributor Brendan McCall on Alessia Palanti’s “All In Your Head” presented at Arts on Site.
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What Will We Do?
Playwright Charlene Adhiambo on Nazareth Hassan’s play Practice at Playwrights Horizon.
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A Collective Place
Dramaturg Miranda Jackel in conversation with multidisciplinary theatermaker Rawya El Chab about “Crossing the Water,” El Chab’s solo piece about the 1982 Israeli invasion of Beirut.
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A Disney World in Brooklyn
Writer and playwright Elise Wien reviews Hannah Kallenbach’s “Mikey Maus in Fantasmich!” performed at The Brick Theater this past November.
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Not A Katie Girl
Editor Eve Bromberg in conversation with writer Candance Bushnell about her upcoming performance of her one woman show “Candace Bushnell: True Tales of Sex, Success, and Sex and the City”.
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the present moment where temporalities converge
Leaving the bardo calls for transformation. The body becomes a page, a site for inscription, a blank slate. The silence echoes.
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Her Discontented Body
Let social media posts or opinion articles in the paper give us “answers” to challenging subjects. Let dance or theater (or both) instead give us time to look at our contradictory selves.

