The Politics Of Cultural Production In Theater (Or, Devise This!), Part I
The first in a series of essays on the origins, practices and implications of “non-traditional” theater.
The first in a series of essays on the origins, practices and implications of “non-traditional” theater.
Andy on “Roman Tragedies” at BAM and what dance can learn from Beck and the Grateful Dead.
Andy apologizes to Shana Moulton and muses on art, context, personal histories and the interwebs.
Andy responds to Danspace Project’s Conversations Without Walls about “Some Sweet Day” at MoMA, recording included.
This is the third article in a multi-part essay Andy is writing that examines the relationship between performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.
With the election looming Andy meditates on America and some shows he saw over the past few months.
Another section of Andy’s multipart essay “The Economics of Ephemerality” examining the relationship between performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.
This is the first section of a multipart essay Andy is writing called “The Economics of Ephemerality” which examines the relationship of performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.
Culturebot’s Andrew Horwitz proposes a new framework for the critic in the emerging arts landscape and how that new role can facilitate change and innovation sector-wide.
Social Practice, Civic Practice, Socially Engaged Art – what do we mean when we talk about this kind of work and how can we do it better?
Andy shares some thoughts on the nature of attention and how to talk about it.
On June 24, Andy & Maura were on a panel about “Snark & Praise” at the Dance Critics Association Conference. So that was fun. Here are Andy’s thoughts, a few weeks later.