After participating in Prelude’s manifesto-Marathon Jessica Applebaum, Maxwell Cramer and Kai Tuchmann discussed the old literary genre of the manifesto and its usage by Prelude’s artists with the hope that it can ripple out to a larger conversation on the web
Culturebot’s Andrew Horwitz proposes a new framework for the critic in the emerging arts landscape and how that new role can facilitate change and innovation sector-wide.
Social Practice, Civic Practice, Socially Engaged Art – what do we mean when we talk about this kind of work and how can we do it better?
Andy shares some thoughts on the nature of attention and how to talk about it.
On June 24, Andy & Maura were on a panel about “Snark & Praise” at the Dance Critics Association Conference. So that was fun. Here are Andy’s thoughts, a few weeks later.
Cuturebot contributor Cassie Peterson tackles the idea of “queer art” as we enter Queer New York, opening Thurs., June 7 at Abrons Arts
Andy has a startling moment of clarity.
On April 11, 2012 Jan Cohen-Cruz, Randy Martin, Morgan Jenness , Rachel Chavkin and moderator Amy Whitaker came together at the Broad Street Ballroom of Léman Manhattan Preparatory School near Wall Street for a discussion called “At The Intersection: Art, Money and Politics” as part of LMCC’s Access Restricted series, curated and produced by Culturebot’s Andrew Horwitz. This conversation is available as a podcast at artonair.org.
And where we can look for alternative presentational aesthetics, with reference to Michael Kliën and Steve Valk
Guest contributor Hani Omar Khalil explores Ibrahim El-Husseini’s “Comedy of Sorrows” (“Commedia Al-Ahzaan”), a theatrical response to the Egyptian Revolution
This May in Austin, we continue our examination of new models of critical engagement and the pressing issues of contemporary performance