Culturebot admits that he has not always been a dance aficionado. In fact, until recently whenever I heard the word “dance” I ran screaming in the other direction. But the responsibilities of being a cultural man-about-downtown have brought me into proximity with quite a bit
Okay, so this isn’t a review. But we haven’t quite worked out how the “upcoming events” part is going to work. However, culturebot strongly recommends The Dresden Dolls.
Chris Elam and Misnomer Dance Theater’s Intimacy In Transition opened at P.S. 122 on Thursday, December 11th. Elam, known for his whimsical, Balinese inspired choreography, has created an enchanting evening consisting of six different dances.
After another long day in the salt mines Culturebot headed out to the oh-so-trendy DUMBO for an evening of dance and diversion. The first stop was at The Nest to see a work entitled mech[a] and OUTPUT by koosil-ja, a Japanese dancer/choreographer of Korean descent.
A few weeks ago I met an Italian-American woman who had worked for an Armenian charitable organization. She told me how it had been really hard, as a non-Armenian, to do her job, since it was such a tight-knit community. And then just last weekend
On Friday we braved the snow and cold to go see more of the Central Station festival, this time an evening featuring three choreographers at Dance Theater Workshop. On the program were dances by Galina Borissova (Bulgaria), Márta Ladjánkszki (Hungary) and Cosmin Manolescu (Romania).
Last night the Croatian dance company BADco. performed the U.S. premiere of their work Solo Me. It is part of the Central Station Festival, a celebration of Eastern European dance sponsored by P.S. 122, Danspace Project, Dance Theater Workshop, REDCAT in Los Angeles and several