Stormy Budwig on Meg Stuart’s UNTIL OUR HEARTS STOP
These moments of transparency and revealed infrastructure are strictly intended.
All posts by Stormy Budwig
Dancing a History and Defining a Project: Some Notes on Netta Yerushalmy’s “Paramodernities #3”
Performance as reparation, as reconfiguration, as a way to bounce back and forge ahead.
Overlap, Intersections, and Emergence in Dance Performance
I want to get up close to these masked figures and ask them to tell me about the future.
“Sister to a Fiend”: incantation, energy, and terrific force
Culturebot contributor Stormy Budwig chats with Sam Kim about the premier of “Sister to a Fiend” at Gibney Dance March 4-7.
Eating up & carving out: Cynthia Oliver and David Thomson discuss “Sister”
Stormy talks to Cynthia Oliver and David Thomson about Tere O’Connor’s “Sister” (American Realness, Jan. 9 and 11, 2015)
The choice to see Dance Performance (according to my experience of Gibney Dance Center’s artist-curated split bill series “DoublePlus”)
“What I do in my life, what I have done and why, is fundamental-seeming, too.”
December Dispatches
Stormy catches up: MR Festival, Greg Zuccolo, Keely Garfield, Tere O’Connor.
Ecology/Counterpoint
Stormy responds Meredith Monk’s “On Behalf of Nature” at BAM
Seeing Double
Stormy and Tara on Alex Rodabaugh and Rakiya Orange in a split bill curated by Miguel Gutierrez for Gibney’s DoublePlus.
Alchemizing Energies: Ann Liv Young, Marina Abramović, and all of Us
Stormy Budwig considers honesty, youth, fear, Marina, Ann Liv, and Sherry.
Oxbow — a description (unless otherwise noted)
Stormy considers Ivy Baldwin’s “Oxbow” at BAM’s 2014 Next Wave Festival.
Cynthia Oliver on exhaustion, posturing, and emotional cost in BOOM!
Last week Cynthia Oliver and I spoke about her latest duet dance work, BOOM!, which premiered at New York Live Arts in October. I was compelled by the way one aesthetic or singular movement exploration blended into the next, the boldness of Oliver’s decisions in