Author: Stormy Budwig
-

Stormy Budwig on Meg Stuart’s UNTIL OUR HEARTS STOP
These moments of transparency and revealed infrastructure are strictly intended.
-

Dancing a History and Defining a Project: Some Notes on Netta Yerushalmy’s “Paramodernities #3”
Performance as reparation, as reconfiguration, as a way to bounce back and forge ahead.
-

Overlap, Intersections, and Emergence in Dance Performance
I want to get up close to these masked figures and ask them to tell me about the future.
-

“Sister to a Fiend”: incantation, energy, and terrific force
Culturebot contributor Stormy Budwig chats with Sam Kim about the premier of “Sister to a Fiend” at Gibney Dance March 4-7.
-

Eating up & carving out: Cynthia Oliver and David Thomson discuss “Sister”
Stormy talks to Cynthia Oliver and David Thomson about Tere O’Connor’s “Sister” (American Realness, Jan. 9 and 11, 2015)
-

The choice to see Dance Performance (according to my experience of Gibney Dance Center’s artist-curated split bill series “DoublePlus”)
“What I do in my life, what I have done and why, is fundamental-seeming, too.”
-

December Dispatches
Stormy catches up: MR Festival, Greg Zuccolo, Keely Garfield, Tere O’Connor.
-

Ecology/Counterpoint
Stormy responds Meredith Monk’s “On Behalf of Nature” at BAM
-

Seeing Double
Stormy and Tara on Alex Rodabaugh and Rakiya Orange in a split bill curated by Miguel Gutierrez for Gibney’s DoublePlus.
-

Alchemizing Energies: Ann Liv Young, Marina Abramović, and all of Us
Stormy Budwig considers honesty, youth, fear, Marina, Ann Liv, and Sherry.
-

Cynthia Oliver on exhaustion, posturing, and emotional cost in BOOM!
Last week Cynthia Oliver and I spoke about her latest duet dance work, BOOM!, which premiered at New York Live Arts in October. I was compelled by the way one aesthetic or singular movement exploration blended into the next, the boldness of Oliver’s decisions in pairing movement with speech, the way two people can fill…

