Five Questions with Miranda Haymon

What, for the theater, are our tablecloths, forks, spoons, plates and bowls that maybe aren’t actually serving us anymore? Is how we are making theater and performance the best way it could exist, or is there a better version?

Five Questions with Megan Murtha

I grew up in a yellow house in West Seneca, NY, a suburb of Buffalo. My bedroom window was on the second floor in between the windows of my sisters, though I am the youngest, with a huge maple tree in front of it that made me feel like I lived in a treehouse.

Three Days Kaleidoscoping at NACL

What was I doing? Why was I here? What had I hoped to achieve from this? So many people I didn’t know! Communal living having its obvious benefits, but not that easy to suddenly just find one’s self there in the thick of it.

Five Questions with Mateo Hurtado

What’s the relationship between joy and the various vibes and qualities of my identity? In my life, joy is so damn important; I’m rounding out year #2 living in NYC after moving from the Midwest and re-getting to know myself while finding and building community which couldn’t be possible without joy.

Marie and Bruce, forty years later

Hammel draws us in to her experience, while granting us a bit of separation from the material itself (which is unrelentingly bleak, flirting with misogyny, although its view of the male specimen isn’t without contempt either).

A Neverland Dystopia?

This is Peter Pan set in a dystopian futureland, the music acting as a remnant of a memory of a time when feeling was more possible, when childhood was more innocent; before we found ourselves up against a neon wall, staring out at the void, attempting to determine if we’ve (finally, like Peter did when he flew back one night only to find the window closed against him) reached a point of no return.

Five Questions with Tamara Sevunts

Tamara Sevunts is a Canadian-Armenian actress, originally from Montreal and now based in NYC. A graduate of the American Academy of Dramatic Arts, she is fluent in six languages. Off-Broadway credits include: “Your Alice” (BAM), “Daybreak” (Beckett Theatre), “The Good Girl” (59E59 Theatres) and “Loose