Do You Cocktail? A New Party Game Emerges in Chelsea
It’s less an interview and more a listening circle — if you are comfortable talking in front of a group, you’ll be just fine at it
Thomas Ostermeier’s Magnificent Adaptation of “History of Violence” at St Ann’s Warehouse
When the Gilets Jaunes (“Yellow Vest”) protests broke out just a little over a year ago, the leaderless, populist movement was somewhat baffling – as with so much of French social life – for Americans. Beginning as a protest against a fuel tax combating global
Inciting Conversation: @GaryXXXFisher’s BLACK EXHIBITION
If you can say one thing, and only one thing, about Harris’s body of work thus far, it’s that it certainly seems to incite conversation.
Experimental Theater Built To Survive the Zombie Apocalypse: Radiohole’s NOW SERVING
even if death is on everyone’s menu, lurking somewhere after dessert, this evening, we survived
Ann Liv Young’s Home Theater
Want to take out your phone and text? Please, I dare you, and I hope I’m there to see what happens. Maybe Young will want to take a selfie, or share your photos, or throw your phone out the window. Anything could happen.
Opening space for the inexplicable: loveconductors and ghoul|take III
The work is the group; the group is the work. It is an antidote to work that devalues the human. The individual is decentralized, but not devalued.
Kate Zibluk in conversation with Egregious Philbin
Drag has challenged me to re-examine and expand my gender identity, which I now see as a continuum between my “everyday self” and “performance self”.
mayfield brooks and Alec Duffy in conversation
There is no preaching to the choir when it comes to considering reparations, because there is no choir. It’s a lonely act.
Liza Birkenmeier on Dr. Sally Ride, the Scientific Method, and Sexual Power Dynamics
I went in with this insane piece, this musical phantasmagoria island site-specific thing — and came out with my most, sort of, small quiet piece I’ve ever made that really relies upon, for the most part, humans behaving based on characteristics that we can perceive.
THE JOHNSONS: a Comedic Nightmare Version of the American Dream
It’s not always clear what we’re looking at, but perhaps Henry is tearing down the house, family, and narrative form itself with hope alongside rage.
Weird Lingerers: The “Heroes of the Fourth Turning” plot their battles at Playwrights Horizons
Their arguments, even when hate-filled, are lucidly formed and difficult to penetrate. There’s a weird thrill of uncomfortable relief when we find ourselves half-agreeing with them.
Looking at LOOKING AT YOU: A Dialogue
I think there’s less a question of “what’s to be done” and more is a question of “how do we know what’s really going on.” It’s less about privacy in some ways and more about transparency of information