Once Upon a Time – a way to play with SUPERSTITIONS
SUPERSTITIONS inhabits a world that relies on the use of language, strangeness, incongruities that are made congruous at unexpected times throughout.
PREPAREDNESS: An HR Session Runs Amuck
In PREPAREDNESS, a mandatory HR session threatens the survival of a college theater department.
PUFFY HAIR: A Fabulously Feral Feminist Fantasia… with Farts
Not a “solo show” but also not not a solo show
Movement Without Borders at Judson Church
A catalyst, a deep breath together, a gathering.
The Return to ‘Sustained Energetic Collisions’ …in Red Hook: Ben Gassman’s BOTTE DI FERRO
Gassman is the real article, the authentic listener, who has heard in the city’s woke and hip aspirations, its angry and tired lives, and its ever-evolving demography the real meaning of ordinary anguish.
Harmonic Convergences at La MaMa Moves! 2021
A dominating thread of grief and healing wound its way through La MaMa Moves! 2021 and most of the artists brought song and storytelling into a festival that, as curator Nicky Paraiso acknowledged was full of resilient artists “making work that is essential and true to this pivotal moment in time.”
On the creation of THE MS PHOENIX RISING
Somehow, it made perfect sense that we did it during a global pandemic. I think we created something that does three things; captures our current reality, comments on the future, and will hopefully have a long, relevant life after we’re through the other side.
“A New Year” Series Brings Nightmares, Isolation, and Jump-Roping Dinosaurs to The Brick Stage
On Friday, a battle against nightmares. On Saturday, the struggle to accomplish one basic task. On Sunday, a dinosaur trying to jump-rope. And on Sunday, the crushing weight of depression.
Staying Alive, or Live Art in Odd Places
Live art is still here, and as Shelley understood two centuries ago, it will remain alive for as long as we do.
Being Together: A Response to PASSAGE THRU
PASSAGE THRU feels like stepping through a portal, a fable we get to participate in alongside the performers.
“Poor Players”: The Most Entertaining Way to Do the Least Entertaining Part of Theater
Edward Einhorn has gamified independent theater producing, in a fun but remarkable educational exercise is demystifying just what it takes to make a play
A Dramaturgy of Elliot B. Quick
Elliot spent his career looking for the meaning of this elusive concept [of dramaturgy], and with the following we attempt to honor him and continue his quest by articulating what Elliot’s dramaturgy meant to us, his many collaborators and friends.