She exists, she conjures, she illuminates through whisper and scream.
Shaun Irons and Lauren Petty discuss “Why Why Always,” a cine-performance
Dan O’Neil interviews Tantztheater Wuppertal Pina Bausch dancer Stephanie Troyak, and asks the question: “Can we make this?”
Anchuli Felicia King is a multidisciplinary artist of Thai-Australian descent who works primarily in live theater.
Its in-betweenness, like the liminal space of “not me…not not me,” grants us the ability to be in two places at once.
Canada abandons the arts for “creative hubs”; exploring relevance in performance at Philly FringeArts; questioning the Guggenheim; and more.
As theatermakers, as makers of culture, we are doing as much to perpetrate white supremacy and racist ideology than anyone else. A play that features all white actors, is by virtue of its existence in this country, a racist play.
Rohina Malik and Kareem Fahmy talk The Mecca Tales with Jerry Lieblich
A Blood Orange traffics in confusion, doubles, echoes and muffled voices.
The British artist discusses “Blackouts,” at Crossing the Line 2017
In Which A Booking Cancellation At The New Ohio Creates Space For Radical Community Recalibration: #AmericanAF
To attend is to remind yourself how much we miss by relying on established institutions to deliver us our culture, pre-curated and mixed just so, on whatever silver platter they might have recently polished.
JOURNALS FROM THE DEAD: A week inside the process of Heather Christian’s Animal Wisdom as told by musician / actor / filmmaker, Maya Sharpe
Animal metaphors are used to inspire and describe the texture of the words and atmosphere.