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Learning How To Fall Apart: An Interview with Sam Kann
Maia Kern in conversation with Sam Kann’ about “Mouthpiece,” performed with Chloë Engel at Life World.
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“It’s always a collective act”: a conversation with Morgan Bassichis and Sam Pinkleton
Ethan Karas connected with “Can I Be Frank?” creator & performer Morgan Bassichis and director Sam Pinkleton to discuss the superpower of telling the truth, the dangers of nostalgia, and the political importance of a really, really good time.
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What Divides Us
Brendan McCall reflects on “The Totality of All Things” by Erik Gernand, directed by Shannon Patterson.
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A Place That Was Weirder Than I Was
These days I avoid the news. It’s devastating and terrifying and—from my New York bubble—remote. Everything bad is happening somewhere else, I tell myself. This is untrue, of course, but denial can be so comforting. In Jerome, John J. Caswell Jr.’s new play at Playwrights Horizons, avoidance is a matter of survival. Set in rural…
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Holding Attention
Contributor Kevin Ritter-Jung on Servane Dècle and Milo Rau’s THE PELICOT TRIAL, which was performed at Judson Church this past March.
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A life in fragments
Emilee Lord on Edu Diaz’ solo show LIPSTICK, which made its New York debut for the Fringe Festival at the Chain Theater this April.
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Leni’s Many Faces
Contributor Brendan McCall on James Clements’ play BEAUTY FREAK.
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The Radical Geometries of Dorchel Haqq
Joëlle Antonia Santiago on Dorchel Haqq’s swallow, in preparation for “vol.1/DND/ a study on perspective” which will premire as part of New York Live Arts Fresh Tracks.
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A Post-Apocalypse Ballad
Brendan McCall on Sarah Groustra´s RADIO MAN, which played at The Paradise Factory earlier this month.
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The Shimmer of Not-knowing
Joëlle Antonia Santiago in conversation with Choreographer John Jasperse in advance of the opening of WANDERING, a collaboration with painter Julie Mehretu at The Marian Goodman Gallery.
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Smashed Up Against Each Other
Playwright Elise Wien in conversation with Di Lobontiu, writer and performer of “If You’re a Man at Night, You Gotta Be a Man in the Morning” which will play at The Tank Theater from May 15-May 23.
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Invisible Parts of the Show
Jack Meriwether reflects on Ayano Elson’s “Control” at the Chocolate Factory, created in collaboration with performers Cayleen Del Rosario, Amelia Heintzelman, Owen Prum, and evan ray suzuki
