Francesca Dominguez’s “Galvanizing Steel” is Capable

“…one dancer’s hands on the foreheads of the other two, leading the paths of their movement; a dancer leaning on another who was kneeling on the floor, using them as an anchor, stability; the soloist connecting with the floor as the other dancers stared into her…”

Creative Outlet: A Conversation with Shannon Yu

Paper. A tongue? A face? Hands, elbows, emerging body parts. Two bodies. Questions. Who are they to each other? Will they ever come out from behind the semi-translucent wall? Conceal and reveal. Discovery. Peekaboo, peep show, peeling back wrapping paper; pulling the curtain open in a stranger’s house to see a familiar smile.

The Many Soundscapes of PLEASURE MACHINE

Some would argue that there is nothing wrong with money from those who have too much and using it to support yourself and your community— a creative Robin Hood of sorts. But is taking advantage of a convenient situation the same as being complicit?