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Becoming Hamlet | “You are as good as a chorus”
Brendan McCall reflects on “Becoming Hamlet,” adapted by Damon Horowitz, directed by Sybille Bruun, playing at Five Angels Theatre through October 3.
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carrying on: KYLE b. co.’s Critical Race Therapy / Critical Club Therapy
Sol Cabrini reflects on club aesthetics and the sonification of race in the work of 2025 CPR AiR KYLE b.co.
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The year of Chekhov
Lindsey Walko talks with Raina Soman and AJ Molder, two of the cofounders of Twenty Somethings, about “Dirty Bird,” an adaptation of “The Seagull,” written and directed by Whit Flint, playing through September 20 at ErF Gallery.
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“She tried to spit in my mouth”: MAIDS AFTER GENET
Jeff Careyva in conversation wwith Madeline Bernhard and Hannah Hale—actors, directors, and producers for Adult Film’s upcoming show, MAIDS AFTER GENET, running through September 19.
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“Punked” by A Whiny Hamlet
Brendan McCall reflects on “The Real Ivanov,” adapted & Directed by Laura Strausfeld, playing through September 19 at Lynn F. Angelson Theater.
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Diovanna Obafunmilayo’s Mind, Body, and Spirit
2025 CPR Artist-in-Residence Diovanna Obafunmilayo speaks with Shamira Ibrahim about invoking the divine in her recent performance piece GODBODY.
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Gender Wars and Neoliberal Nostalgia
Brendan McCall reflects on “An American Daughter” by Wendy Wasserstein, directed by Sarna Lapine, playing through September 20 at The Pershing Square Signature Center.
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Baby Woman
Tess Walsh reflects on Lydia Riess’ “Going Away Party,” staged as a part of the ALab Theater Festival | June 27 + 28, 2026
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The Maybe-Myths of Leonie Bell
Jeffrey M. Jones on the inimitable Leonie Bell
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Happy birthday, metamorphosis III: Stacy Grossfield in conversation with Leah Plante-Wiener
Leah Plante-Wiener in conversation with Stacy Grossfield about Grossfield’s “metamorphosis III,” the 4-episode dance theatre saga at the Collapsable Hole between August 2025—February 2026.
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Absent is the Lamb
Anna Jayne Kimmel reflects on Brendan Drake’s “Ceremonials,” presented at Dance Place, Washington, DC | July 10 + 11, 2026
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Permanently on edge
Joey Sims reflects on Michael Kinnan’s “Goodbye Horses: An Unauthorized Retelling of Jonathan Demme’s The Silence of the Lambs” at The Brick Theater | July 9-25, 2026
