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The art of revealing
Tess Walsh reflects on “Well, I’ll Let You Go,” written by Bubba Weiler, directed by Jack Serio, Apr 30-Jun 20, 2026 at Studio Seaview.
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No one exists in the midwest
Aaron Tomey reflects on “Dad Don’t Read This” by playwright Eliya Smith, directed by Chloe Claudel, a co-production of Try For Baby Productions and The Goat Exchange, at St. Luke’s Theater.
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Desire is a cage
Hallie Chametzky reflects on Pink Fang’s ambiguous, symbolic, psychological “The Table,” performed at The Gym at Judson — a study in hunger and its discontents.
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Rhythms and contradictions
Miranda Stück reflects on BODYSONNET’s first New York City presentation with “New York Now” at The Gym at Judson Church, curated and partially choreographed by Artistic Director Moscelyne ParkeHarrison.
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Desires to leave, inclinations to stay
Tess Walsh reflects on the world premiere of “Dad Don’t Read This” by playwright Eliya Smith, directed by Chloe Claudel, a co-production of Try For Baby Productions and The Goat Exchange, at St. Luke’s Theater.
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Tautological Hauntologies: John Jasperse wanders the work of Julie Mehretu
Emillee Lord on “Wandering” by The John Jasperse Projects at Marian Goodman Gallery amidst the paintings of Julie Mehretu and her exhibition “Our Days, Like a Shadow (a non-abiding hauntology).”
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I’m gonna give it to you in case you missed it
Robin Denzer in conversation with dancemaker Symara Sarai on Sarai’s 2025-26 AIRspace Residency at Abrons Arts Center.
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Basking in the Superbloom
Emily Chackerian in conversation with Eisa Davis about her new play “||: Girls :|| ||: Chance :|| ||: Music :||,” playing through June 21 at the Vineyard Theater in New York.
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Creation is godly as hell
Annie Rasiel in conversation with Alex Wanebo, Cara Ronzetti, and Carson McCalley about RUCKUS, an ambitious new performing arts festival, presenting an eclectic lineup of thirty shows in four days.
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We’re Like Pirates
Former editor Eve Bromberg in conversation with dance critic Marina Harss, a transcription of CULTUREBOT’s January live event.
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Learning How To Fall Apart
Maia Sauer in conversation with Sam Kann’ about “Mouthpiece,” performed with Chloë Engel at Life World.
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It’s always a collective act
Ethan Karas connected with “Can I Be Frank?” creator & performer Morgan Bassichis and director Sam Pinkleton to discuss the superpower of telling the truth, the dangers of nostalgia, and the political importance of a really, really good time.
