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Permanently on edge
Joey Sims reflects on Michael Kinnan’s “Goodbye Horses: An Unauthorized Retelling of Jonathan Demme’s The Silence of the Lambs” at The Brick Theater | July 9-25, 2026
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Drop the needle, if you will
Tess Walsh in conversation with Scout Davis about “The Life and Times of Daisy Forbes” at La MaMa | May 21-24, 2026
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Loves Labours Livestreamed
Maxwell Cosmo Cramer reflects on Cecilia Corrigan’s “The Gay Divorce” at The Brick Theater | June 11-20, 2026
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Sub-human, post-human, proto-human
Kevin Ritter-Jung reflects on “New Humans” at The New Museum and David Commander’s new show, “Idiot Void” presented by Immediate Medium at the Collapsable Hole | June 11-27
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Tackling the Marriage Plot
Emily Chackerian chats with director Sarah Connolly on “The Betrothed” at WP Theater, the first work of WP Theatre Space Residency program.
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“And Then What?”: Xhloe & Natasha’s Slapstick Packs a Punch
Brendan McCall reflects on “And Then the Rodeo Burned Down” by Xhloe and Natasha, directed by Tom Costello, at Ars Nova | May 19 – July 10, 2026
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We should not feel bad for repressed fascists
Tess Walsh reflects on Alex Aguirre’s “SUB: An underwater workplace comedy” at ERF Gallery | June 4—7, 2026
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Obsessed and Possessed
Lindsey Walko in conversation with Ryan Czerwonko and Megan Metrikin about Adult Film’s upcoming production of “Woyzeck” | July 15 – August 8, 2026
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Spectacles at Sunset
SUGAR SUGAR! Brings Experimental Dance to Domino Park | Sarah Cecilia Bukowski reflects on works by Julia Antinozzi, Isa Spector, Malcolm-x Betts, & Kat Sotelo.
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a bloody heart in a bed of white roses
Cecilia Corrigan and Alex Tatarsky in conversation about Corrigan’s “The Gay Divorce” at The Brick Theater.
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The art of revealing
Tess Walsh reflects on “Well, I’ll Let You Go,” written by Bubba Weiler, directed by Jack Serio, Apr 30-Jun 20, 2026 at Studio Seaview.
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No one exists in the midwest
Aaron Tomey reflects on “Dad Don’t Read This” by playwright Eliya Smith, directed by Chloe Claudel, a co-production of Try For Baby Productions and The Goat Exchange, at St. Luke’s Theater.
