Month: December 2019
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Vibrating Borders: a Conversation with Kate Kremer
what I’m doing is, by cutting things the way that I’m cutting them, and by putting them in the proximity that I’m putting them in, I’m trying to make more audible the patterns that you wouldn’t see if you were just reading reams and reams of these cases.
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Martine Gutierrez’s CIRCLE at Performance Space New York
I start to explain something about artistic agency over visual archives of original work but all that comes out is I guess we’re all in trouble.
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The Process Matters: a response to CAKE, a journey of fluid and frosting
Leopard slugs, and CAKE as a whole, provides a reminder to all of us that the romance-as-happy-ending thing is an odd societal compulsion, perhaps even an obsolete one
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Do you Believe? Lucas Hnath’s THE THIN PLACE
We lean in, unable to control our own desire to be persuaded, even as we know that this is a play, this is not true, this is just another gesture in a world full of them
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Do You Cocktail? A New Party Game Emerges in Chelsea
It’s less an interview and more a listening circle — if you are comfortable talking in front of a group, you’ll be just fine at it
