what I’m doing is, by cutting things the way that I’m cutting them, and by putting them in the proximity that I’m putting them in, I’m trying to make more audible the patterns that you wouldn’t see if you were just reading reams and reams of these cases.
I start to explain something about artistic agency over visual archives of original work but all that comes out is I guess we’re all in trouble.
Leopard slugs, and CAKE as a whole, provides a reminder to all of us that the romance-as-happy-ending thing is an odd societal compulsion, perhaps even an obsolete one
We lean in, unable to control our own desire to be persuaded, even as we know that this is a play, this is not true, this is just another gesture in a world full of them
It’s less an interview and more a listening circle — if you are comfortable talking in front of a group, you’ll be just fine at it