Month: October 2016
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Monchichi @ BAM
Honji Wang and Sébastien Ramirez, of Wang Ramirez, are often presented as cross-cultural navigators, both in their performance styles and in their personal lives. Wang is a Korean-German dancer with […]
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Congregation of Survival – Lost and Found Platform continues
How will we ever go back after the planting that guest curator Eva Yaa Asentawaa sowed during last week’s “the skeleton architecture, or the future of our worlds?”
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The Hunger Artist @ the New Ohio Theater
I’m always starving. First of all, I’m kind of a lush: always spending my hard-earned artist salary on good wine and some dope new trendy neighborhood Ramen or whatever. But […]
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To the Lighthouse: Sara Juli’s TENSE VAGINA: AN ACTUAL DIAGNOSIS at The Chocolate Factory
it’s the rare conversation that ventures into the silence surrounding all of the strange aspects of postpartum recovery and the illusion, for many, of the six-week, go-forth-and-fornicate appointment
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Splendid Niall Jones
You had to be there, but if you weren’t… make it a point next time to get yourself seated at his feet and revere in his splendor. areyouready?
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The Kinship of Caring: “Lost and Found” Congregation without Walls
With this 11th Platform, curated by Ishmael Houston-Jones and Will Rawls to focus on the impact of the AIDS crisis, they’ve expanded across time, skipping across aesthetic differences, addressing dismissal and erasure and getting up close and, truly, personal with the place dance holds in many of our lived and lost lives.
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In Real Time: MILES FOR MARY, The Mad Ones in Collaboration with Amy Staats and Stacey Yen
It’s funny, like a more restrained, extended version of Saturday Night Live’s NPR spoof, “Delicious Dish.” But there’s more to it.
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All of the history on our backs: Taylor Mac’s 24-Decade History of Popular Music
They fucked us good.
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Please Fuck Off Jérôme Bel or A 50 Year Old French White Man Makes An All Bodies Matter Dance and I Hate It
Yes! A literal PARADE of surface level DIVERSITY.
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A Play that is also like a Short Story Collection: MY OLD MAN (and OTHER STORIES)
The language in the play is often poetic and strange, shining unexpected light on the real, sad ways that we often miss one another, even as we suffer in close proximity.
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Julius Caeser. Spared Parts.
We do not ordinarily have much cause to come to Wall Street. But we are here. We are here to see Julius Caesar. Spared Parts.
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Death and Doggie Hamlet
We go on with our daily lives, reacting not much more consciously than the sheep, who respond to their concerns only by releasing little poops.