Ensemble Studio Theatre: It’s Not a Sprint
Is a one-act the most intentionally ephemeral storytelling? Or a prelude to a more extended version of itself?
Is a one-act the most intentionally ephemeral storytelling? Or a prelude to a more extended version of itself?
An effective seduction, there is enough truth in the tall tales to keep us believing and bound to the ride.
It feels almost as though I am watching a fairy tale, or an animal documentary about conflict within an ecosystem.
In these perilous, challenging and unpredictable times in our country and in the world, we can look to the performing arts for some clues as to how we might respond and continue to live our lives with vigilance, and hopefully a modicum of wisdom, to
But the tortoises bring a different element. They seem trustworthy. You can really count on them to play their part.
George Emilio Sanchez offers a rumination on Culturebot’s Maura Donohue’s recent work at La MaMa
I could go on, you should go on for me, counting heros not yet fallen.
this world doesn’t make sense. therefore, making art that tries to make perfect sense doesn’t make any sense.
“If a clone was made of you, would you sleep with it?”