Laurie Uprichard lectures on “Contemporary Dance at Home and Abroad: Perspectives and Aesthetics in the Global Village” as part of Marymount Manhattan College’s “Dance Dialogue” series.
Maria Hassabi brings her newest performance/installation to the Kitchen, this Thursday through Sunday.
A pair of fellow theater bloggers offer their personal perspectives on upcoming works at the 2011 Next Wave Fest
Ivo van Hove’s “Cries and Whispers” and William Forsythe’s “I don’t believe in outer space” are the first can’t-miss shows of Next Wave
Romeo Castellucci’s latest has seen its audiences assaulted on the way into the theater and performances disrupted nightly
Our weekend show going at BAM and the Chocolate Factory
This weekend took Culturebot’s Jeremy Barker to the Public to take in Mike Daisey’s latest show
Beyonce’s video for “Countdown” looks remarkably like Anne Teresa de Keersmaeker’s “Rosas Danst Rosas”. What are the implications for dance and performance as intellectual property?
Portuguese Fado singer Antonio Zambujo was amazing at CUNY’s new Live @ 365 series, curated by Isabel Soffer.
Institute for Curatorial Practice in Performance (ICPP) Certificate Program is taking applications for its second cohort of participants.
Only a few days left to catch playwright Sylvan Oswald’s new work, “Nightlands” presented by New Georges at HERE.
Karen O.’s new project “Stop The Virgens” is a fun rock show but falls short as new opera or contemporary performance.