“Tell us why a shorter version of this feels like a sketch, and a longer version feels like a play.”
Tomatoes are everywhere: thrown out of nowhere onto stage at big pivotal moments, characters reborn into tomato plants, still communicating in death.
I’m always starving. First of all, I’m kind of a lush: always spending my hard-earned artist salary on good wine and some dope new trendy neighborhood Ramen or whatever. But also as a contemporary theater maker, I’m famished. Famished for people to see my work,