Category: Interviews
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The year of Chekhov
Lindsey Walko talks with Raina Soman and AJ Molder, two of the cofounders of Twenty Somethings, about “Dirty Bird,” an adaptation of “The Seagull,” written and directed by Whit Flint, playing through September 20 at ErF Gallery.
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“She tried to spit in my mouth”: MAIDS AFTER GENET
Jeff Careyva in conversation wwith Madeline Bernhard and Hannah Hale—actors, directors, and producers for Adult Film’s upcoming show, MAIDS AFTER GENET, running through September 19.
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Diovanna Obafunmilayo’s Mind, Body, and Spirit
2025 CPR Artist-in-Residence Diovanna Obafunmilayo speaks with Shamira Ibrahim about invoking the divine in her recent performance piece GODBODY.
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Happy birthday, metamorphosis III: Stacy Grossfield in conversation with Leah Plante-Wiener
Leah Plante-Wiener in conversation with Stacy Grossfield about Grossfield’s “metamorphosis III,” the 4-episode dance theatre saga at the Collapsable Hole between August 2025—February 2026.
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Tackling the Marriage Plot
Emily Chackerian chats with director Sarah Connolly on “The Betrothed” at WP Theater, the first work of WP Theatre Space Residency program.
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a bloody heart in a bed of white roses
Cecilia Corrigan and Alex Tatarsky in conversation about Corrigan’s “The Gay Divorce” at The Brick Theater.
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I’m gonna give it to you in case you missed it
Robin Denzer in conversation with dancemaker Symara Sarai on Sarai’s 2025-26 AIRspace Residency at Abrons Arts Center.
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Creation is godly as hell
Annie Rasiel in conversation with Alex Wanebo, Cara Ronzetti, and Carson McCalley about RUCKUS, an ambitious new performing arts festival, presenting an eclectic lineup of thirty shows in four days.
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We’re Like Pirates
Former editor Eve Bromberg in conversation with dance critic Marina Harss, a transcription of CULTUREBOT’s January live event.
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Learning How To Fall Apart
Maia Sauer in conversation with Sam Kann’ about “Mouthpiece,” performed with Chloë Engel at Life World.
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It’s always a collective act
Ethan Karas connected with “Can I Be Frank?” creator & performer Morgan Bassichis and director Sam Pinkleton to discuss the superpower of telling the truth, the dangers of nostalgia, and the political importance of a really, really good time.
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A Place That Was Weirder Than I Was
These days I avoid the news. It’s devastating and terrifying and—from my New York bubble—remote. Everything bad is happening somewhere else, I tell myself. This is untrue, of course, but denial can be so comforting. In Jerome, John J. Caswell Jr.’s new play at Playwrights Horizons, avoidance is a matter of survival. Set in rural…
