Month: December 2015
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The Gift of Remembrance
Reflections on Paterson Joseph’s Sancho: An Act of Remembrance.
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X-ID REP @ the NEW MUSEUM: OPEN REHEARSALS
Part Two of a three part series examining X-ID REP, a performance project and repertory company initiated and overseen by the New Museum’s R&D department.
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Rhythm Field: The Dance of Molissa Fenley
Book excerpt: The Sovereign Soloist – States of Exceptional Labor and “State of Darkness” by Richard Move
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Anneke Hansen & Lydia Mokdessi
I don’t want to pretend that being alive is not a big deal.
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Anabella Lenzu in conversation with Shannon Elizabeth O’Brien
Anabella and Shannon talk “Unveiling Emotion and Motion” (book) & “In Pursuit of Happiness” (dance)
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If You Are Carrying a Pizza Box You Can Get Into Any Building
Morgan Green responds to ‘How To Get Into Buildings’ at the Brick
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Identity as Action in Daniel Fish’s “Who Left This Fork Here”
The director offers his latest multi-disciplinary exercise in task-based performance
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Escaping the Exotic: Finding New Common Ground with the Middle East
Festival profile: Director Natasja van ’t Westende talks about Dancing on the Edge, a Dutch festival focusing on performers from the Middle East and North Africa.
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Women
She points to her t-shirt and says: “Why is this ok?” then pulls the sleeve up to reveal her shoulder: “And this is not ok?”
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Philosophy and Choreography Together in SF
Philosopher Alva Noë joins Jess Curtis and Claire Cunningham at CounterPulse in SF
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Truth, Lies and Acting: Juliana Francis Kelly’s “The Reenactors”
In “The Reenactors,” theatrical realism is employed as deconstructionist technique
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Forgiving Shakespeare
A Response to Donmar’s HENRY IV at St. Anne’s Warehouse