“The world becomes a universe in my belly.”
Both Warhol and Buzzfeed would be happy about pursuing an obvious choice, I think.
thINKingDANCE’s Zornitsa Stoyanova reflects on performing unclothed in “shatter:::down” and “Mylar Storms”. Philadelphia, 2013.
Hannah reflects on Patricia Hoffbauer’s “Dances for Intimate Spaces and Friendly People” and Jesse Zaritt & Jumatatu Poe’s “More Mutable Than You”.
Everyone has secrets that come out “when it’s just family”. Intertwining layers of deceit and secrecy fall by the wayside with one’s relatives, allowing identity politics to play out in a grand fashion. Accordingly, many secrets are employed and revealed by playwright Robert O’Hara (Bootycandy)
They’re going to tensely wait until we are done clapping so this liminal purgatory between art and not art can be over. They’re going to endure this awkwardness.
Silas Riener, BLUE NAME, The Chocolate Factory, Oct 14-28, 2015.
A non-machine-based response to ‘Futurity’, a co-production between Ars Nova & Soho Rep playing at the Connelly Theater through Nov. 15, 2015.
A response to Teatro Patologica di Roma’s MEDEA at La MaMa
Miranda July’s “New Society” at BAM Fisher, Oct. 7-10, 2015 Next Wave Festival.
A response to Rude Mechs and Deborah Hay’s MATCH-PLAY at New York Live Arts
Tequila shots are passed around before the show starts. A friendly gesture to start off with the right attitude or a kind warning: you might need this to better navigate the next hour. Maybe both. Loud music starts, and Truscott comes on stage wearing a