Heather Kravas: Objects That Inspire & Interview with Aron Cantor
The objects could be anything generative, and Heather’s choices are varied, sophisticated, heartfelt, and a fascinating insight into what interests this artist.
Category Archives: Feature
Fault Lines Tremble: A Conversation with Tatyana Tenenbaum
This idea of American desire and what’s encapsulated in that is this reckoning, but, also holding the truths of being white in American culture means you have to hold the history of being an oppressor. But, then, how do you hold that?
Every house has a door’s “The Three Matadores”: A Dialogue
Jeremy M. Barker and Matthew Goulish discuss Every house has a door’s “The Three Matadores”
The Ways In Which We Break: A Conversation with Taja Cheek and Ali Rosa-Salas
The impacts of grief, however miniscule or massive, are the focus of “Submerge 2017: Break Time”, a festival curated primarily by Ali Rosa-Salas. Interested in the ways in which “we” are “permitted” to grieve in public space and, as the curatorial statement offers, a concern on the “expectation to bounce back,” Rosa-Salas has assembled an enriching near week of events, ranging from breath work to brunch to bike rides, in recognition of the ways the personal is political; the ways we are alone with others; and the ways in which everything, art or otherwise, is necessarily interdependent.
I Just Unraveled Myself: Some Moments By/With/For Ash R.T. Yergens
The moment it becomes legible, it becomes something else.
The “Violent Ambiguity” of Roberto Bolano
“Roberto Bolano’s appearance in the world is great for Latin American literature, for Latin American writers,” Javier Antonio Gonzalez, playwright and artistic director of the theater company Caborca, told me recently. “Even though his work is celebrated everywhere and people connect to it all over
A long time into the future, slowly: Emily Johnson’s “Then a Cunning Voice and A Night We Spend Gazing at Stars”
“There is no end to the work we begin here.”
Considering Voiceover – via Kate Benson’s [Porto] at the Bushwick Starr
Benson’s voiceover technique does all the good stuff and almost none of the bad stuff that you usually get from utilizing a narrator in the theater.
Showing up in January: Day 3 Dispatch (AR Talks, LAVA, Cynthia Oliver & Kimberly Bartosik)
Several times, misdirected/redirected, freezing and running in white-out conditions, I wondered why bother at all. But, sometimes it’s all you can do to just show up… 2 American Realness Discourse Talks, 2 Works-in-progress, 1 tight bit o’ dance.
Sex and Foie Gras
A conversation with playwright Kate Benson and director Lee Sunday Evans on their new play, [PORTO], at The Bushwick Starr
Standing Up in January: Day 2 Dispatch (COIL, Squirts & La Mama with Pavel Zustiak, Patti Harrison & Marga Gomez)
La Mama dispatch for PS 122’s COIL Fest, Pavel Zustiak’s “Custodians of Beauty” and “Bastard (The Painted Bird: Part 1)” and Squirts intergenerational queer pairings with stand up sets from Patti Harrison and Marga Gomez. To start the year alternating between bent over from either despair or because I might laugh so hard that the tears trickle down my legs felt fitting to my polar emotional swings of late.
Lily Kind on Annie Wilson’s “At Home with Humorless Bastard”
What a fucking metaphor you guys.