SUPERSTITIONS inhabits a world that relies on the use of language, strangeness, incongruities that are made congruous at unexpected times throughout.
In PREPAREDNESS, a mandatory HR session threatens the survival of a college theater department.
Somehow, it made perfect sense that we did it during a global pandemic. I think we created something that does three things; captures our current reality, comments on the future, and will hopefully have a long, relevant life after we’re through the other side.
I think all women and femme people have a complicated relationship with the kitchen, because patriarchy has told us it’s our “proper place,” so the kitchen is never a neutral space. It’s actually been part of my process of rebuffing patriarchy that I claim the kitchen as my own, a space I enter out of choice, for my own joy and fulfillment.
Eliza Bent is about as close to a recognizable brand as you can get in downtown theater land (I say this in a good way) – she has a specific and winning skewed sensibility and a propensity for characters, which I assumed would not be overly diminished by the Zoom platform.
All those toxic names on our money, our buildings, even our clothing. How they got there, and what it might mean to strip them of their meaning and power.
The made-up movie feels like one of those sweeping international melodramas with lots of expansive cinematography. In the minds of its creators, it’s an epic-length narrative replete with multi-generational strands and leaps forward in time.
It’s about how we try to use stories to explain things that we otherwise can’t explain, and how sometimes even those stories don’t do the work for us. How do we keep doing the work after the story?
We lean in, unable to control our own desire to be persuaded, even as we know that this is a play, this is not true, this is just another gesture in a world full of them
It’s less an interview and more a listening circle — if you are comfortable talking in front of a group, you’ll be just fine at it
If you can say one thing, and only one thing, about Harris’s body of work thus far, it’s that it certainly seems to incite conversation.
even if death is on everyone’s menu, lurking somewhere after dessert, this evening, we survived