Parson slowly and deftly reverses the lens, edging away from the endlessly verbal Sam and leaving us with only Bess.
She exists, she conjures, she illuminates through whisper and scream.
Dan O’Neil interviews Tantztheater Wuppertal Pina Bausch dancer Stephanie Troyak, and asks the question: “Can we make this?”
In Which A Booking Cancellation At The New Ohio Creates Space For Radical Community Recalibration: #AmericanAF
To attend is to remind yourself how much we miss by relying on established institutions to deliver us our culture, pre-curated and mixed just so, on whatever silver platter they might have recently polished.
In THE POWER OF EMOTION: THE APARTMENT, the notion of emotion as a perfomative element provides the foundation for a wider exploration on how we not only watch, but hear and interpret emotion.
To what degree must our celebrities look, sound, and live lives enough like ours in order for us to fetishize becoming them?
A response to The Krumple’s ‘YOKAI: Remedy for Despair’ via the questioning of how one responds to art and how dependent that response is on form and location.
I could go on, you should go on for me, counting heros not yet fallen.
“If a clone was made of you, would you sleep with it?”
When one goes to the beach, does one lie on the sand and watch the water? Or does one wade in until they can barely reach the bottom?
In my early playwriting days, back when the majority of play submission opportunities had to be printed and mailed, it used to be very common to come across a submission guideline such as this one: “All submitted plays must be formatted according to accepted industry standards.”
Oh My God That’s Kevin Kelleher – Or, Does Specialness Only Exist In Your Mind? A Discussion with Tiny Little Band.
Stefanie and Jerry, in the midst of a mysterious project that I now know addresses (among other things) heroes, myths, and specialness, are experiencing, as a result of the process, a transformation in their thinking regarding such things