Dan Safer is the devil you’ve been dying to dance with and Ae Andrea’s enviable lines and swag make them an optimal fiend friend for that card.
Ni’Ja Whitson queers divine kingdoms with cosmological meetings amidst a swirl of lineage, legacies and streaming star scapes. Salve.
After over a decade hiatus in making work, with “now my hand is ready for my heart” downtown icon, Nicky Paraiso gushes forth while looking back on several lived lives in Nickyworld.
John Gutierrez writes from inside “This Bridge Called My Ass” from Miguel Gutierrez
And, yet, we are here, re-fashioning community and remaining soft in a building of stone. The monuments are crumbling. We can take an ax to their base or let them dissolve to the dust of their origin story.
Considerations of how to communicate certain ideas, evoke abstract affects, and share stories explicitly offer possibilities for shared dialogue.
Here, thoughts are freed from linearity or reasonable binds. There, processing systems allow the universe to expand and retract as an infinite sponge. Where bodies transmute from human familiars to alien exotica.
mayfield brooks, jumatatu m. poe, and the I Moving Lab are part of aa three-week series conceived and curated by Marýa Wethers at Gibney Dance highlighted “intersections and crossroads among Blackness, queerness, and Indigeneity.”
As a central point of exploration: “Spaces are not exterior to our bodies, instead, spaces are like a second skin, they unfold in the folds of the body.”
“Double consciousness is knowing the particularity of the white world in the face of its enforced claim to universality… Double consciousness, in other words, is knowing a lie while living its contradiction.” – Biko Maura ruminates on white privilege and the mythology of the neutral body.
The age of the ally is over, let’s be accomplices. Maura on Rosy Simas, Nora Chipaumire and NIC Kay at American Realness 2018.
Michelle Ellsworth brings a real head trip to American Realness 2018.