maura re/members with george emilio sanchez’s “In the Court of the Conquerer” & zavé martohardjono’s “TERRITORY: the Island Remembers” – audio version link available at top of post
A dominating thread of grief and healing wound its way through La MaMa Moves! 2021 and most of the artists brought song and storytelling into a festival that, as curator Nicky Paraiso acknowledged was full of resilient artists “making work that is essential and true to this pivotal moment in time.”
Can I get a witness!! Looking for e pluribus pluribus with George Emilio Sanchez’s “XIV” at Dixon Place
With XIV, my favorite experimental constitutionalist bruthrr George Emilio Sanchez is crashing a brown, brooding and bold biography into the broader American histories of other fights for equal rights. XIV offers an incisive and often intimate look at the never ending challenge that is our country’s constant separations of equality in a show that continues this weekend and next at Dixon Place.
Dan Safer is the devil you’ve been dying to dance with and Ae Andrea’s enviable lines and swag make them an optimal fiend friend for that card.
Ni’Ja Whitson queers divine kingdoms with cosmological meetings amidst a swirl of lineage, legacies and streaming star scapes. Salve.
After over a decade hiatus in making work, with “now my hand is ready for my heart” downtown icon, Nicky Paraiso gushes forth while looking back on several lived lives in Nickyworld.
John Gutierrez writes from inside “This Bridge Called My Ass” from Miguel Gutierrez
Here, thoughts are freed from linearity or reasonable binds. There, processing systems allow the universe to expand and retract as an infinite sponge. Where bodies transmute from human familiars to alien exotica.
The La MaMa Moves Festival, now in its 13th season, opens Thursday May 10. Curator Nicky Paraiso and artists Ellen Fisher, Jonathan Gonzalez, Adham Hafez and Ni’Ja Whitson recently shared some thoughts about their relationship to the festival.
mayfield brooks, jumatatu m. poe, and the I Moving Lab are part of aa three-week series conceived and curated by Marýa Wethers at Gibney Dance highlighted “intersections and crossroads among Blackness, queerness, and Indigeneity.”
“Double consciousness is knowing the particularity of the white world in the face of its enforced claim to universality… Double consciousness, in other words, is knowing a lie while living its contradiction.” – Biko Maura ruminates on white privilege and the mythology of the neutral body.
The age of the ally is over, let’s be accomplices. Maura on Rosy Simas, Nora Chipaumire and NIC Kay at American Realness 2018.