Month: November 2019
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Thomas Ostermeier’s Magnificent Adaptation of “History of Violence” at St Ann’s Warehouse
When the Gilets Jaunes (“Yellow Vest”) protests broke out just a little over a year ago, the leaderless, populist movement was somewhat baffling – as with so much of French […]
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Inciting Conversation: @GaryXXXFisher’s BLACK EXHIBITION
If you can say one thing, and only one thing, about Harris’s body of work thus far, it’s that it certainly seems to incite conversation.
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Experimental Theater Built To Survive the Zombie Apocalypse: Radiohole’s NOW SERVING
even if death is on everyone’s menu, lurking somewhere after dessert, this evening, we survived
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Ann Liv Young’s Home Theater
Want to take out your phone and text? Please, I dare you, and I hope I’m there to see what happens. Maybe Young will want to take a selfie, or share your photos, or throw your phone out the window. Anything could happen.
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Opening space for the inexplicable: loveconductors and ghoul|take III
The work is the group; the group is the work. It is an antidote to work that devalues the human. The individual is decentralized, but not devalued.
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Kate Zibluk in conversation with Egregious Philbin
Drag has challenged me to re-examine and expand my gender identity, which I now see as a continuum between my “everyday self” and “performance self”.
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mayfield brooks and Alec Duffy in conversation
There is no preaching to the choir when it comes to considering reparations, because there is no choir. It’s a lonely act.