Editors

Five Questions with Cara Scarmack

Nowadays I’m less interested in causing maybe a huge stir or making something achingly beautiful on the whole. Now it’s more like: take a sizable hunk out of the corner somewhere and maddeningly chew.

Five Questions with Miranda Haymon

What, for the theater, are our tablecloths, forks, spoons, plates and bowls that maybe aren’t actually serving us anymore? Is how we are making theater and performance the best way it could exist, or is there a better version?

Five Questions with Megan Murtha

I grew up in a yellow house in West Seneca, NY, a suburb of Buffalo. My bedroom window was on the second floor in between the windows of my sisters, though I am the youngest, with a huge maple tree in front of it that made me feel like I lived in a treehouse.

Mieke D Responds To PILLOWTALK’s 2nd Long-Table: On Queer and TransMagic in the Werkplace

“Money is not the root of all evil. The love of money is the root of all evil.” We need money, but money is not the only way to define our value.

Jason Tseng in response PILLOWTALK’s First Long-table Discussion

Editor’s Note: Jason Tseng attended a long-table discussion following a recent performance of Pillowtalk and provided the following response. Future long-tables will be held on January 18th and January 25th. I have had the opportunity to track the development of Kyoung Park’s Pillowtalk – from its first public

Every house has a door’s “The Three Matadores”: A Dialogue

Jeremy M. Barker and Matthew Goulish discuss Every house has a door’s “The Three Matadores”

Five Questions with William Burke

Aw man. I wish I was a kick ass Trumpet player or something.

Five Questions with Alice Pencavel

Editors Note: We caught up with Alice Pencavel, who has written a few wonderful pieces for this very publication and now has a show coming up in the United Solo Festival on Tuesday, October 18th. Where did you grow up and how did you end