Author: Editors
-
NDT’s Sound of Silence // Where Movement Tells The Story.
By Emma Schneider What does one come to see at a dance performance? There are components of productions that help to create a whole—costumes, lighting, music, etc.—yet, it would […]
-
Gil-Sheridan & Weiss discuss THE SKETCHY EASTERN EUROPEAN SHOW
at the end of the day, the concept of “bastardizing your own culture to get ahead” is not a new one in this country – I’d just never seen it done within an Eastern European context
-
Creating New Futures: A Statement in Solidarity with Emily Johnson & Calls to Action
I hope the more arts workers and others share these stories, the more clear and obvious the focus on change becomes. —Emily Johnson
-
An Inventory of Lost & Delayed Art
Documenting the performances affected by COVID-19
-
mayfield brooks and Alec Duffy in conversation
There is no preaching to the choir when it comes to considering reparations, because there is no choir. It’s a lonely act.
-
Those Before Us – an interview with the creators
Each time we stumbled across a new challenge, we took note of how we could prepare for it in the future. Such is the reality of doing something new — you don’t know until you know, and once you do you never make the same mistake twice.
-
Five Questions with Sarah Hughes, McFeely Sam Goodman, and Lucy Kaminsky
I was hired to perform as a sort of Vanna White car model at an auto show in New Hampshire. I had to memorize 2 pages of facts about a new model of Subaru, which I repeated over and over into a mic in an alluring manner while walking around gesturing at the car.
-
Five Questions with Greta Gertler Gold and Ally Collier
The other morning, Lila woke up and her first question was “Mama, how do you start to write a musical?” which, I admit, made me feel proud.
-
Five Questions with Cara Scarmack
Nowadays I’m less interested in causing maybe a huge stir or making something achingly beautiful on the whole. Now it’s more like: take a sizable hunk out of the corner somewhere and maddeningly chew.
-
Five Questions with Miranda Haymon
What, for the theater, are our tablecloths, forks, spoons, plates and bowls that maybe aren’t actually serving us anymore? Is how we are making theater and performance the best way it could exist, or is there a better version?
-
Five Questions with Megan Murtha
I grew up in a yellow house in West Seneca, NY, a suburb of Buffalo. My bedroom window was on the second floor in between the windows of my sisters, though I am the youngest, with a huge maple tree in front of it that made me feel like I lived in a treehouse.
-
Mieke D Responds To PILLOWTALK’s 2nd Long-Table: On Queer and TransMagic in the Werkplace
“Money is not the root of all evil. The love of money is the root of all evil.” We need money, but money is not the only way to define our value.