Author: Editors
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Jason Tseng in response PILLOWTALK’s First Long-table Discussion
Editor’s Note: Jason Tseng attended a long-table discussion following a recent performance of Pillowtalk and provided the following response. Future long-tables will be held on January 18th and January 25th. I have had the opportunity to track the development of Kyoung Park’s Pillowtalk – from its first public reading at Ma-Yi Theatre as well as its workshop production…
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Every house has a door’s “The Three Matadores”: A Dialogue
Jeremy M. Barker and Matthew Goulish discuss Every house has a door’s “The Three Matadores”
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Five Questions with William Burke
Aw man. I wish I was a kick ass Trumpet player or something.
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Five Questions with Alice Pencavel
Editors Note: We caught up with Alice Pencavel, who has written a few wonderful pieces for this very publication and now has a show coming up in the United Solo Festival on Tuesday, October 18th. Where did you grow up and how did you end up where you are now? I was born and raised…
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Upcoming Community of Practice Sessions
Join us for Community of Practice Season 2: January 23, February 20, March 19
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Rhythm Field: The Dance of Molissa Fenley
Book excerpt: The Sovereign Soloist – States of Exceptional Labor and “State of Darkness” by Richard Move
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Criticism for Theatre’s Sake
The following is an excerpt from Chapter 20 (pp. 261 – 264) of Mark Fisher’s book How To Write About Theatre, published by Bloomsbury and released in paperback in August, 2015. In any discussion about theatre and criticism, there’s usually one wag who stands up and says: ‘Those who can – do. Those who can’t…
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But, What Is Queer Art?: A Paradoxical Manifesto
Cuturebot contributor Cassie Peterson tackles the idea of “queer art” as we enter Queer New York, opening Thurs., June 7 at Abrons Arts


