A very telling moment occurs right at the top of American Juggalo, a new play produced by collective Unattended Baggage, at HERE Arts Center that closed March 3. After a projected slideshow introduces us in the briefest possible way to the Insane Clown Posse, Juggalos,
What controversies like Robert Lepage’s “SLĀV” reveal about the shortcomings of art practices
Tone-deaf and half-baked, Ivo van Hove’s adaptation of “The Fountainhead” flounders onstage
Shaun Irons and Lauren Petty discuss “Why Why Always,” a cine-performance
Canada abandons the arts for “creative hubs”; exploring relevance in performance at Philly FringeArts; questioning the Guggenheim; and more.
The British artist discusses “Blackouts,” at Crossing the Line 2017
“Roberto Bolano’s appearance in the world is great for Latin American literature, for Latin American writers,” Javier Antonio Gonzalez, playwright and artistic director of the theater company Caborca, told me recently. “Even though his work is celebrated everywhere and people connect to it all over
David Herskovits’s latest investigation into the art of theater kicks off with a pared down adaptation of “Mourning Becomes Electra”
findlay//sandsmark + pettersen offer a bleak take in “o’ death”
Working with a cast of five young women to reveal the richness of personal identity
The director offers his latest multi-disciplinary exercise in task-based performance
In “The Reenactors,” theatrical realism is employed as deconstructionist technique