When the Gilets Jaunes (“Yellow Vest”) protests broke out just a little over a year ago, the leaderless, populist movement was somewhat baffling – as with so much of French social life – for Americans. Beginning as a protest against a fuel tax combating global
In summary: This should shouldn’t have been put up, here or anywhere
Since it’s often hard to explain a good piece of theater – as Milo Rau’s Five Easy Pieces, which had its all-too-brief North American premier two weeks ago at the Skirball Center, certainly was – we might as well start with everything this show is
A very telling moment occurs right at the top of American Juggalo, a new play produced by collective Unattended Baggage, at HERE Arts Center that closed March 3. After a projected slideshow introduces us in the briefest possible way to the Insane Clown Posse, Juggalos,
What controversies like Robert Lepage’s “SLĀV” reveal about the shortcomings of art practices
Tone-deaf and half-baked, Ivo van Hove’s adaptation of “The Fountainhead” flounders onstage
Shaun Irons and Lauren Petty discuss “Why Why Always,” a cine-performance
Canada abandons the arts for “creative hubs”; exploring relevance in performance at Philly FringeArts; questioning the Guggenheim; and more.
The British artist discusses “Blackouts,” at Crossing the Line 2017
“Roberto Bolano’s appearance in the world is great for Latin American literature, for Latin American writers,” Javier Antonio Gonzalez, playwright and artistic director of the theater company Caborca, told me recently. “Even though his work is celebrated everywhere and people connect to it all over
David Herskovits’s latest investigation into the art of theater kicks off with a pared down adaptation of “Mourning Becomes Electra”
findlay//sandsmark + pettersen offer a bleak take in “o’ death”