“Roberto Bolano’s appearance in the world is great for Latin American literature, for Latin American writers,” Javier Antonio Gonzalez, playwright and artistic director of the theater company Caborca, told me recently. “Even though his work is celebrated everywhere and people connect to it all over
David Herskovits’s latest investigation into the art of theater kicks off with a pared down adaptation of “Mourning Becomes Electra”
findlay//sandsmark + pettersen offer a bleak take in “o’ death”
Working with a cast of fine young women to reveal the richness of personal identity
The director offers his latest multi-disciplinary exercise in task-based performance
In “The Reenactors,” theatrical realism is employed as deconstructionist technique
A decade after he helped pioneer theater blogging, director Isaac Butler looks back
In the latest from the “autoteatro” auteur, Hampton delivers a stinging indictment of global capitalism that provides more symptoms than diagnosis
Despite the rich potential, “Chambre” replicates problematic interpretations of Genet’s play dating back to the 1950s
Ilan Bachrach on the road from actor to festival impresario
20 years after its premiere and 5 years after its author’s death, an intergeneration collaboration seeks to reintroduce the work of a downtown legend
Sibyl Kempson discusses photography as activism and voyeurism in her new play “Let Us Now Praise Susan Sontag”