Best of The Summer: Alex Edelman’s “Just For Us” — A Nuanced Exploration of Judaism and Standpoint
Edelman always wanted to be white. ‘I know, I know. Dream achieved!’ he says.
Edelman always wanted to be white. ‘I know, I know. Dream achieved!’ he says.
PQ has “evolved into a platform, which explores progressive approaches, new media, virtual spaces and interdisciplinary relations.”
It makes me become like my gaze, a promiscuous saccade. I am jostled and stilled. I’m curled around the strange heat of my own body, a feverish REM cycle.
The flower we touch as children in awe burns. The only chide needed to withdraw. With undeniable power to flaw, fire will still flicker and die. For it lives, as do You and I. …a heap of various regrets, sorrowful realities of unfledged dreams, or
…strange, messy, and masterful. It might even restore one’s faith in independent theater.
Put Away the Fire, dear pt.2 (in draft form) at La MaMa Moves last month moves in and out of cinematic and live performance structures, often jump-cutting from internal narratives to vigorous dancing
Confluence. Storage. Breach. Darvejon A. Jones on Kari Hoaas’s “Shadowland” at La MaMa Moves
How for the next few weeks these actors get to tackle conflicts onstage and then return to their everyday lives, undeniably altered. Meanwhile, before me, a performance was taking place. We were involved in something together, the audience and actors.
Hunter Dance MFA, Zakiya Harris interviews Abdel R. Salaam about Dance Africa 2023
Hunter College MFA Eve Jacobs (in conversation with Ethan Kogan) ruminates on Bobbi Jene Smith’s “Broken Theater” at La MaMa Moves 2023
Hunter College MFA Cory Villegas rinde homenaje a la oratoria en una respuesta de audio en español para el programa en español “Lunch with Sonia” de Loco 7 and Muriel Peterson offers her take too
That’s the mission of Young Krones. That’s Krone advocacy.