Category: Responses
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Baby Woman
Tess Walsh reflects on Lydia Riess’ “Going Away Party,” staged as a part of the ALab Theater Festival | June 27 + 28, 2026
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Happy birthday, metamorphosis III: Stacy Grossfield in conversation with Leah Plante-Wiener
Leah Plante-Wiener in conversation with Stacy Grossfield about Grossfield’s “metamorphosis III,” the dance theatre saga that unfolded at the Collapsable Hole in four episodes between August 2025 and February 2026.
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Absent is the Lamb
Anna Jayne Kimmel reflects on Brendan Drake’s “Ceremonials,” presented at Dance Place, Washington, DC | July 10 + 11, 2026
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Permanently on edge
Joey Sims reflects on Michael Kinnan’s “Goodbye Horses: An Unauthorized Retelling of Jonathan Demme’s The Silence of the Lambs” at The Brick Theater | July 9-25, 2026
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Loves Labours Livestreamed
Maxwell Cosmo Cramer reflects on Cecilia Corrigan’s “The Gay Divorce” at The Brick Theater | June 11-20, 2026
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Sub-human, post-human, proto-human
Kevin Ritter-Jung reflects on “New Humans” at The New Museum and David Commander’s new show, “Idiot Void” presented by Immediate Medium at the Collapsable Hole | June 11-27
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Tackling the Marriage Plot
Emily Chackerian chats with director Sarah Connolly on “The Betrothed” at WP Theater, the first work of WP Theatre Space Residency program.
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We should not feel bad for repressed fascists
Tess Walsh reflects on Alex Aguirre’s “SUB: An underwater workplace comedy” at ERF Gallery | June 4—7, 2026
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Spectacles at Sunset
SUGAR SUGAR! Brings Experimental Dance to Domino Park | Sarah Cecilia Bukowski reflects on works by Julia Antinozzi, Isa Spector, Malcolm-x Betts, & Kat Sotelo.
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Desire is a cage
Hallie Chametzky reflects on Pink Fang’s ambiguous, symbolic, psychological “The Table,” performed at The Gym at Judson — a study in hunger and its discontents.
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Desires to leave, inclinations to stay
Tess Walsh reflects on the world premiere of “Dad Don’t Read This” by playwright Eliya Smith, directed by Chloe Claudel, a co-production of Try For Baby Productions and The Goat Exchange, at St. Luke’s Theater.
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Tautological Hauntologies: John Jasperse wanders the work of Julie Mehretu
Emillee Lord on “Wandering” by The John Jasperse Projects at Marian Goodman Gallery amidst the paintings of Julie Mehretu and her exhibition “Our Days, Like a Shadow (a non-abiding hauntology).”