Being Together: A Response to PASSAGE THRU
PASSAGE THRU feels like stepping through a portal, a fable we get to participate in alongside the performers.
PASSAGE THRU feels like stepping through a portal, a fable we get to participate in alongside the performers.
Fact and fiction, inseparable, blur and tease. Cut to disco ball, still swinging. Slow down and watch the air sparkle.
Eliza Bent is about as close to a recognizable brand as you can get in downtown theater land (I say this in a good way) – she has a specific and winning skewed sensibility and a propensity for characters, which I assumed would not be overly diminished by the Zoom platform.
And then, time reversed itself.
We sit like middle schoolers at lunch, cliques separated by social barriers. People chat. “Did you get the job?” “The one at TikTok? No, it was a no. They said they’re on a hiring freeze.”
Black Dance Stories is exactly what it sounds like and precisely what we need right now. It’s a distillation of insightful moments in post-performance talkbacks spliced with casual conversations you once shared over drinks, plus powerful sentiments you’re overhearing now at BLM protests.
Black Dance Stories is exactly what it sounds like and precisely what we need right now. It’s a distillation of insightful moments in post-performance talkbacks spliced with casual conversations you once shared over drinks, plus powerful sentiments you’re overhearing now at BLM protests.
Coop seeks to remind us that we are here, together, and that “the piles of things we’ve forgotten” are scattered everywhere around us.
No one goes into the archive unless they have a hole to fill. Archives are the remedy to forgetful minds, faulty sources, and even death itself. They promise concrete answers and facts.
All those toxic names on our money, our buildings, even our clothing. How they got there, and what it might mean to strip them of their meaning and power.
Peter Mills Weiss + Julia Mounsey X Tara Sheena
Molly Lieber + Eleanor Smith X Tara Sheena