Category: Responses
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Desire is a cage
Hallie Chametzky reflects on Pink Fang’s ambiguous, symbolic, psychological “The Table,” performed at The Gym at Judson — a study in hunger and its discontents.
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Desires to leave, inclinations to stay
Tess Walsh reflects on the world premiere of “Dad Don’t Read This” by playwright Eliya Smith, directed by Chloe Claudel, a co-production of Try For Baby Productions and The Goat Exchange, at St. Luke’s Theater.
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Tautological Hauntologies: John Jasperse wanders the work of Julie Mehretu
Emillee Lord on “Wandering” by The John Jasperse Projects at Marian Goodman Gallery amidst the paintings of Julie Mehretu and her exhibition “Our Days, Like a Shadow (a non-abiding hauntology).”
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Holding Attention
Contributor Kevin Ritter-Jung on Servane Dècle and Milo Rau’s THE PELICOT TRIAL, which was performed at Judson Church this past March.
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Leni’s Many Faces
Contributor Brendan McCall on James Clements’ play BEAUTY FREAK.
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The Radical Geometries of Dorchel Haqq
Joëlle Antonia Santiago on Dorchel Haqq’s swallow, in preparation for “vol.1/DND/ a study on perspective” which will premire as part of New York Live Arts Fresh Tracks.
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A Post-Apocalypse Ballad
Brendan McCall on Sarah Groustra´s RADIO MAN, which played at The Paradise Factory earlier this month.
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Gathering at the Table
Maya Bushell on VOLTA Collective’s DIS-ORDER: a reimagining of a Passover Seder presented at LA’s Skirball Center.
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The glimmer in the crack trembling below us
The artists of mind dream theater Season 1 — Devon Wade Granmo, Catherine Weingarten, kanishk pandey, Theresa Buchheister & Ryan William Downey, Elijah Guo, Rawya El Chab, Jerrod Jordahl — respond with their associative thoughts, in their voices, about a fellow episode from the season.
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Into The Clown Car
Photojournalist Cassidy Jones on Brooklyn’s 3 Dollar Bill second annual Clown Car event.
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The Body of the American Buffoon: on “Meaghan Robichaud Is The Greatest Show on Earth” at The Brick Theater
Aaron Tomey on “Meaghan Robichaud Is The Greatest Show on Earth” at The Brick, March 2026
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“Is Apathy Better Than Complacency?” Object Collection’s Actua 1
Miya Shaffer on ACTUA 1, a live-film performance piece by Brooklyn-based Object Collection | The Collapsable Hole March 2026
