American Ghoul at Suite/SPACE 2022
Something was exhumed on the stage that night— what it was still haunts me.
Something was exhumed on the stage that night— what it was still haunts me.
Heading into BAM’s Fishman Space for Ontroerend Goed, part of the Public’s 2023 Under the Radar Festival, felt like finally getting to a long-delayed date. I’d been looking forward to catching the Belgian company since I first missed them with their career-making The Smile Off
…embodies what I’ll describe as a challengingly lateral Death-drive dramaturgy…
600 Highwaymen’s “A Thousand Ways, Part 3: An Assembly” is one of 2022’s most remarkable works of theater.
Sifting through that experience over time we keep finding ourselves holding out our hands, cupped, like we had caught a firefly. It’s the gesture that says we too received a gift.
maura re/members with george emilio sanchez’s “In the Court of the Conquerer” & zavé martohardjono’s “TERRITORY: the Island Remembers” – audio version link available at top of post
Question everything. Laugh often. And be proud as peacocks, amoebas and hominids—you’re alive, and it’s June!
SUPERSTITIONS inhabits a world that relies on the use of language, strangeness, incongruities that are made congruous at unexpected times throughout.
In PREPAREDNESS, a mandatory HR session threatens the survival of a college theater department.
Gassman is the real article, the authentic listener, who has heard in the city’s woke and hip aspirations, its angry and tired lives, and its ever-evolving demography the real meaning of ordinary anguish.
A dominating thread of grief and healing wound its way through La MaMa Moves! 2021 and most of the artists brought song and storytelling into a festival that, as curator Nicky Paraiso acknowledged was full of resilient artists “making work that is essential and true to this pivotal moment in time.”
Live art is still here, and as Shelley understood two centuries ago, it will remain alive for as long as we do.