We, as a culture, seem to be searching for answers that black futures may provide us.
The unknown and imagined expanse of space becomes synonymous at times with something like Heaven.
We engulf and tangle with a political idea in a different way than how we listen and respond to a play.
Not long after the new Whitney opened in 2015, the museum exhibited an all-star lineup of abstract expressionists on their seventh floor, where they show their permanent collection. On the money wall — the final north facing wall before the windows and doors to the
Culturebot contributors Amelia Parenteau and Audrey Moyce in dialogue on SHEILA at A.R.T./New York
The evening resembles what one might imagine how a Moth Storytelling Hour might play out if it were held at the Restaurant at the End of the Universe.
Moodey tries to save the bird by soaking it in Epsom salts and massaging it, but the inevitability of its death leads to the practicality of it being made into chicken soup.
Bizarre, off-putting, and utterly spectacular
Responding to CUTE ACTIVIST at the Bushwick Starr: “Does this play want me to ‘like’ it or to ‘crying face’ it?”
Stranger Things: Dane Terry’s Jupiter’s Lifeless Moons, directed and developed by Ellie Heyman, Performance Space 122, Coil Festival
Terry shepherds us through storytelling, theater, and song on an absurdist Lynchian dive into the creepy under belly of the suburban Midwest town.
Michelle Ellsworth brings a real head trip to American Realness 2018.
It’s difficult to write about the show you love.