Experimental Theater Built To Survive the Zombie Apocalypse: Radiohole’s NOW SERVING
even if death is on everyone’s menu, lurking somewhere after dessert, this evening, we survived
Category Archives: Theater
Kate Zibluk in conversation with Egregious Philbin
Drag has challenged me to re-examine and expand my gender identity, which I now see as a continuum between my “everyday self” and “performance self”.
THE JOHNSONS: a Comedic Nightmare Version of the American Dream
It’s not always clear what we’re looking at, but perhaps Henry is tearing down the house, family, and narrative form itself with hope alongside rage.
Weird Lingerers: The “Heroes of the Fourth Turning” plot their battles at Playwrights Horizons
Their arguments, even when hate-filled, are lucidly formed and difficult to penetrate. There’s a weird thrill of uncomfortable relief when we find ourselves half-agreeing with them.
The rigged games of NO PLACE
Watching the three Players go through an elaborate and very tightly regulated game for citizenship to “The Promised Land,” the dot game would have been more than enough to create a natural tension between the players, with which to fuel their antagonism, and eventual alliances, secrets, and betrayals.
Joseph Keckler and Ariana Reines in Conversation
There’s a genial kind of, I don’t know, Brechtian disruption going on when you hurl that sound at people. They just lose their shit and do not know what to do with themselves. It is somehow a punk rock gesture.
Terrence O’Brien in the studio
“I’ll just put my bias on the table.” What is the impact of the work? “Let’s turn over the rock and see what’s under there.” Terry says.
IF IT LOOKS LIKE A LIFE: NEW GEORGES PRESENTS ‘LEAP AND THE NET WILL APPEAR’ AT THE FLEA
Does the key to life come less from real knowledge and more from a sense of rhythm? Pattern recognition? A skewed version of the old saying, “If it looks like a life, and it walks like a life, then it must be a life?”
Can I get a witness!! Looking for e pluribus pluribus with George Emilio Sanchez’s “XIV” at Dixon Place
With XIV, my favorite experimental constitutionalist bruthrr George Emilio Sanchez is crashing a brown, brooding and bold biography into the broader American histories of other fights for equal rights. XIV offers an incisive and often intimate look at the never ending challenge that is our country’s constant separations of equality in a show that continues this weekend and next at Dixon Place.
Jarcho Riffs on PHEDRE: “pathetic” at Abrons Arts Center
pathetic is writer/director Julia Jarcho’s riff on Racine’s Phedre, the neo-classical exploration of a woman’s lust, so of course it takes place in a high school.
Tranquility Disrupted – Sean Donovan’s CABIN
Donovan builds a tranquil place effortlessly, and then creates darkness within the negative (theatrical) space around it, using it as atmospheric pressure to hold the memory in place.
Everything is there where you got nothing left. Dan Safer at La MaMa Moves, finally.
Dan Safer is the devil you’ve been dying to dance with and Ae Andrea’s enviable lines and swag make them an optimal fiend friend for that card.