Since it’s often hard to explain a good piece of theater – as Milo Rau’s Five Easy Pieces, which had its all-too-brief North American premier two weeks ago at the Skirball Center, certainly was – we might as well start with everything this show is
It’s not so much a communing with the dead as an un-containing of the self, casting meaning into the void, hoping perhaps to receive some echo of that meaning back, in the shape of a hug, or song, or strip of tin foil torn from the wall.
A very telling moment occurs right at the top of American Juggalo, a new play produced by collective Unattended Baggage, at HERE Arts Center that closed March 3. After a projected slideshow introduces us in the briefest possible way to the Insane Clown Posse, Juggalos,
John Gutierrez writes from inside “This Bridge Called My Ass” from Miguel Gutierrez
Wearing the mask in no way erases the company’s differences, but rather unites them as they all create together on a level playing field.
Michael + Patrick seem to be rebelling against the theater’s ruling class: kitchen sink dramas, heady idea plays, and — worst of all — amusement park attractions masquerading as Broadway musicals. And so Michael + Patrick have created something else, something other.
Tina Satter’s direction and Half Straddle’s pitch-perfect company establish and then maintain an unblinking focus that cuts through the dissipating fog and rewards the audience’s taut attention.
If fantasy has the power to instantiate, and maintain such debilitating power structures, could it also be the very force required to undo them?
The Making of King Kong sets out to unpack the monstrosity of our current cultural moment via the monkey, simultaneously evoking a 1930s acting style (transatlantic accents abound) while complicating itself with very-much-now identity politic-infused dialogue.
We eventually spend less time on saddles and hats, and more time on trying to get inside that frictional feeling of being pressed into a hookup’s smelly, hairy crotch while he calls you “pretty.”
What would it mean, Café Play wonders, if we could be more present– less tweets, phones off, open to chance strangers seated nearby, ears attuned to those around us, and to the creatures and objects outside of our usual frequencies?
There is pain, hurt, lovesickness for miles in every direction, emanating from this club across the country, world, and intergalactic beyond.