Month: October 2013
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Dancing a (micro)economy
Maeve Little explores labor, art and activism in “Between the Door and the Street” and “A (micro)history of world economics danced”
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In Conversation With Pieter Ampe
Sarah Rose Leonard talks to Pieter Ampe who, along with collaborator Guilherme Garrido, brings the playful and adventurous “Still Standing You” to PERFORMA.
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Feeling Self-Ish
Ryan Tracy shares some thoughts on Todd Shalom and Niegel Smith’s Elastic City performance project at PRELUDE.13
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Tatyana Tenenbaum’s Modal Investigations
Tatyana Tenenbaum’s new work “Private Country” premieres at The Chocolate Factory next week.
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Queering the Discourse
The Queer New York International Arts Festival returns to NYC – harder, better, faster, stronger.
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Chorus of All Souls at Abrons Arts Center
Experiments in Opera and Vision into Art present “Chorus of All Souls”, a program of new opera at the Abrons Art Center.
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The Battle is in the Images: Egypt, “The Square,” and the Diegesis of Competing Media
Culturebot contributor Hani Omar Khalil
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Invention, Innovation & Creating Real Change
“Invention, Innovation & Creating Real Change” is the last in a series of six essays taking a critical look at the innovation agenda in the arts.
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Business As Usual In The Innovation Industry
“Business As Usual” is the fifth in a series of six essays proposing a critical perspective on innovation In the arts.
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Seeing Value In The Arts
“Seeing Value In the Arts” is the fourth of a series of six essays proposing a critical perspective on innovation In the arts.
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Corporate Influence and the Innovation Agenda
“Corporate Influence and the Innovation Agenda” is the third in a series of six essays proposing a critical perspective on innovation In the arts.
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The Appearance of Innovation
“The Appearance of Innovation” is the second of a series of six essays proposing a critical perspective on innovation In the arts.