Year: 2019
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Vibrating Borders: a Conversation with Kate Kremer
what I’m doing is, by cutting things the way that I’m cutting them, and by putting them in the proximity that I’m putting them in, I’m trying to make more audible the patterns that you wouldn’t see if you were just reading reams and reams of these cases.
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Martine Gutierrez’s CIRCLE at Performance Space New York
I start to explain something about artistic agency over visual archives of original work but all that comes out is I guess we’re all in trouble.
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The Process Matters: a response to CAKE, a journey of fluid and frosting
Leopard slugs, and CAKE as a whole, provides a reminder to all of us that the romance-as-happy-ending thing is an odd societal compulsion, perhaps even an obsolete one
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Do you Believe? Lucas Hnath’s THE THIN PLACE
We lean in, unable to control our own desire to be persuaded, even as we know that this is a play, this is not true, this is just another gesture in a world full of them
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Do You Cocktail? A New Party Game Emerges in Chelsea
It’s less an interview and more a listening circle — if you are comfortable talking in front of a group, you’ll be just fine at it
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Thomas Ostermeier’s Magnificent Adaptation of “History of Violence” at St Ann’s Warehouse
When the Gilets Jaunes (“Yellow Vest”) protests broke out just a little over a year ago, the leaderless, populist movement was somewhat baffling – as with so much of French […]
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Inciting Conversation: @GaryXXXFisher’s BLACK EXHIBITION
If you can say one thing, and only one thing, about Harris’s body of work thus far, it’s that it certainly seems to incite conversation.
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Experimental Theater Built To Survive the Zombie Apocalypse: Radiohole’s NOW SERVING
even if death is on everyone’s menu, lurking somewhere after dessert, this evening, we survived
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Ann Liv Young’s Home Theater
Want to take out your phone and text? Please, I dare you, and I hope I’m there to see what happens. Maybe Young will want to take a selfie, or share your photos, or throw your phone out the window. Anything could happen.
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Opening space for the inexplicable: loveconductors and ghoul|take III
The work is the group; the group is the work. It is an antidote to work that devalues the human. The individual is decentralized, but not devalued.
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Kate Zibluk in conversation with Egregious Philbin
Drag has challenged me to re-examine and expand my gender identity, which I now see as a continuum between my “everyday self” and “performance self”.
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mayfield brooks and Alec Duffy in conversation
There is no preaching to the choir when it comes to considering reparations, because there is no choir. It’s a lonely act.