what I’m doing is, by cutting things the way that I’m cutting them, and by putting them in the proximity that I’m putting them in, I’m trying to make more audible the patterns that you wouldn’t see if you were just reading reams and reams of these cases.
I start to explain something about artistic agency over visual archives of original work but all that comes out is I guess we’re all in trouble.
Leopard slugs, and CAKE as a whole, provides a reminder to all of us that the romance-as-happy-ending thing is an odd societal compulsion, perhaps even an obsolete one
We lean in, unable to control our own desire to be persuaded, even as we know that this is a play, this is not true, this is just another gesture in a world full of them
It’s less an interview and more a listening circle — if you are comfortable talking in front of a group, you’ll be just fine at it
When the Gilets Jaunes (“Yellow Vest”) protests broke out just a little over a year ago, the leaderless, populist movement was somewhat baffling – as with so much of French social life – for Americans. Beginning as a protest against a fuel tax combating global
If you can say one thing, and only one thing, about Harris’s body of work thus far, it’s that it certainly seems to incite conversation.
even if death is on everyone’s menu, lurking somewhere after dessert, this evening, we survived
Want to take out your phone and text? Please, I dare you, and I hope I’m there to see what happens. Maybe Young will want to take a selfie, or share your photos, or throw your phone out the window. Anything could happen.
The work is the group; the group is the work. It is an antidote to work that devalues the human. The individual is decentralized, but not devalued.
Drag has challenged me to re-examine and expand my gender identity, which I now see as a continuum between my “everyday self” and “performance self”.
There is no preaching to the choir when it comes to considering reparations, because there is no choir. It’s a lonely act.