Audrey Moyce responds to TOYS: A DARK FAIRY TALE at 59E59.
Parson slowly and deftly reverses the lens, edging away from the endlessly verbal Sam and leaving us with only Bess.
You could call it an exploration of the butterfly effect on a schizophrenic scale.
While the spirit remains centered, the chorus spins wildly out of control – dispersing, translating, perverting, transmuting, contextualizing Thomas Paine’s words with deliberately mixed results.
Maura and Eugene de Poogene yelled over really loud music with Croatian curator and producer Zvonimir Dobrovic about his “Perforations Festival” – opening Friday.
We’ve written a very hopeful apocalypse.
Deepali Gupta responds to VEIL’D at the Astoria Performing Arts Center
The bits of conversation that don’t quite work suggest a weirder reality lying under the normalcy we see, a reality which seems to bubble more and more to the surface as the day wears on.
Jeremy M. Barker and Matthew Goulish discuss Every house has a door’s “The Three Matadores”
In Donly’s theater of gentleness and Bosch’s garden of delight, we are granted a vision of the world in which disagreement is not the harbinger of the end of love but the engine of love’s continuance.
Maura covers The Bessies, MR AoCC Studies Project, AmericanAF, Jasmine Hearn & Mariana Valencia, and Cynthia Oliver’s world premiere of “Virago-Man Dem”
“Tell us why a shorter version of this feels like a sketch, and a longer version feels like a play.”