DANCE AS POLITICAL REFUGE
Michael Kliën on dancing on Hydra
Monthly Archives: October 2014
THIS IS NOT A REVIEW: JENNIFER MONSON’S LIVE DANCING ARCHIVE
Katie Dean on “Live Dancing Archive” at NYLA
Prelude14: A Curator’s Perspective
Allison Lyman, one of the four PRELUDE.14 curators, discusses putting “care” in “curating.”
In Progress: A Prelude 2014 Reflection
As a relative newcomer to the City, my Prelude 2014 experience lacked just that: a prelude, or much context at all, for that matter. And for that, I am grateful. In place of expectation, lay openness. In the absence of prior knowledge, the
Building A Legacy at Prelude
Hannah Wolf on Prelude
Togetherness / Aloneness at Prelude 2014
Dan O’Neil on Prelude Festival 2014
Prelude 2014: An Anonymous Letter
An anonymous writer responds to ideas about Intimacy in the downtown festival
(Behind) the a/effectivity, absurdity, and illusion of spectacle: (T).
Alex Romania on “(T)” by Luis Lara Malvacía/3RD CLASS CITIZEN at Danspace Project.
g-h-o-s-t-c-r-o-w-n (working title): a collection of movements, moments, and discussions on form
Stormy reflects on Roseann Spradlin’s “g-h-o-s-t-c-r-o-w-n (working title)” at NYLA.
Theater should be a transformative experience: Milo Rau’s cheerful and non-cynical brand of political drama
Joost Ramaer speaks with Milo Rau, politcal theater artist and founder of the International Institute of Political Murder (IIPM).
Jumatatu Poe’s “Android Tears” at JACK
Elena discusses the “trickster deity” with Jumatatu Poe.
We Are Still Watching: the author, the text, and asking for directions
Stormy Budwig considers Ivana Müller’s “We Are Still Watching” at NYLA