Month: October 2014
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DANCE AS POLITICAL REFUGE
Michael Kliën on dancing on Hydra
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THIS IS NOT A REVIEW: JENNIFER MONSON’S LIVE DANCING ARCHIVE
Katie Dean on “Live Dancing Archive” at NYLA
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Prelude14: A Curator’s Perspective
Allison Lyman, one of the four PRELUDE.14 curators, discusses putting “care” in “curating.”
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In Progress: A Prelude 2014 Reflection
As a relative newcomer to the City, my Prelude 2014 experience lacked just that: a prelude, or much context at all, for that matter. And for that, I […]
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Building A Legacy at Prelude
Hannah Wolf on Prelude
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Togetherness / Aloneness at Prelude 2014
Dan O’Neil on Prelude Festival 2014
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Prelude 2014: An Anonymous Letter
An anonymous writer responds to ideas about Intimacy in the downtown festival
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(Behind) the a/effectivity, absurdity, and illusion of spectacle: (T).
Alex Romania on “(T)” by Luis Lara Malvacía/3RD CLASS CITIZEN at Danspace Project.
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g-h-o-s-t-c-r-o-w-n (working title): a collection of movements, moments, and discussions on form
Stormy reflects on Roseann Spradlin’s “g-h-o-s-t-c-r-o-w-n (working title)” at NYLA.
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Theater should be a transformative experience: Milo Rau’s cheerful and non-cynical brand of political drama
Joost Ramaer speaks with Milo Rau, politcal theater artist and founder of the International Institute of Political Murder (IIPM).
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Jumatatu Poe’s “Android Tears” at JACK
Elena discusses the “trickster deity” with Jumatatu Poe.
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We Are Still Watching: the author, the text, and asking for directions
Stormy Budwig considers Ivana Müller’s “We Are Still Watching” at NYLA