Michael Kliën on dancing on Hydra
Katie Dean on “Live Dancing Archive” at NYLA
Allison Lyman, one of the four PRELUDE.14 curators, discusses putting “care” in “curating.”
As a relative newcomer to the City, my Prelude 2014 experience lacked just that: a prelude, or much context at all, for that matter. And for that, I am grateful. In place of expectation, lay openness. In the absence of prior knowledge, the
Hannah Wolf on Prelude
Dan O’Neil on Prelude Festival 2014
An anonymous writer responds to ideas about Intimacy in the downtown festival
Alex Romania on “(T)” by Luis Lara Malvacía/3RD CLASS CITIZEN at Danspace Project.
Stormy reflects on Roseann Spradlin’s “g-h-o-s-t-c-r-o-w-n (working title)” at NYLA.
Theater should be a transformative experience: Milo Rau’s cheerful and non-cynical brand of political drama
Joost Ramaer speaks with Milo Rau, politcal theater artist and founder of the International Institute of Political Murder (IIPM).
Elena discusses the “trickster deity” with Jumatatu Poe.
Stormy Budwig considers Ivana Müller’s “We Are Still Watching” at NYLA