Month: April 2016
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‘Do You Wish to Amaze Your Wife This Night?’
Amelia Parenteau responds to SPAM at JACK
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Zen and the Art of Stage Directing or conversations about expectations or just making up your damn mind already
Alexandra Beller and Ivan Talijančić in conversation about choice-making, dramaturgy, and building Mindflock.
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Thunder and Miscellaneous Thoughts
Please do not disturb the loving respectfulness. Please take off your shoes.
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Sense, Semiotics, & Sensibility
Some sentences on Alex Borinsky’s The Witches
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Jeremy Pickard & Eva Peskin in Conversation
Let us cry, but not while we’re making theater. Or fine, cry, but that’s not what this is about.
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The Ghost of an Artist
LOVE, LOSS, AND LEGACY MIX IN I WILL LOOK FORWARD TO THIS LATER
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Gorey: The Secret Lives of Edward Gorey
Amelia Parenteau talks to Travis Russ before the opening of Life Jacket Theatre Company’s new work.
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Radouan Mriziga @ NYLA Live Ideas
Recognition of the dance-becoming-functional, of completing a circuit between both halves, is undoubtedly gratifying. We are irresistibly, maybe placidly, hypnotized by the all-seducing power of the circle, and this dually lulls with its familiarity while entrancing with timelessness.
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The Stock of the West
Response to The Way West by Mona Monsour at Labyrinth Theater Company
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A Play of a Documentary of a Murder Unsolved – Tragedy in Spades
Created by playwright Liza Birkenmeier and director Katherine Brook, Tragedy in Spades examines the relationship between a small Missouri town and a brutal murder of a teenage girl, depicting an 80s/90s Americana plagued with an inability to contextualize horrors too close for comfort — a conundrum prevalent today.