Month: August 2017
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A New Chamber Music for the 21st Century
“The play you are performing has never been seen by anybody”
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Feeling Grief, Feeling Female, Feeling Un-American
A never-ending stream of hypnotic ghosts.
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Dancing with Ghosts: Trajal Harrell’s Becoming/Chanelling/Voguing Kazuo Ohno/Tatsumi Hijikata/Antonia Merce
A new way of being, a new world emerges, one of infinite possibility, as the current one is upended.
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A long time into the future, slowly: Emily Johnson’s “Then a Cunning Voice and A Night We Spend Gazing at Stars”
“There is no end to the work we begin here.”
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Machinalia – a response
Assaulted by sound. A noisescape that experientially presented embodied anxiety. Mic stand dialogue, alienating and surprisingly all the more evocative for it. Shit hanging from the ceiling. A donut that […]
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![Between Walled Rooms: Tyler Rai on Ivy Baldwin’s “Keen [No. 2]”](https://www.culturebot.org/wp-content/uploads/2017/08/Baldwin_Keen2_Baranova-4185-600x400.jpg)
Between Walled Rooms: Tyler Rai on Ivy Baldwin’s “Keen [No. 2]”
it was about our bodies. no, it was about our wildness. as if you could divide them.
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Philadelphia Dispatch: No Face Performance Group’s THE TOP
I am seeing the iPhone ghost faded into Mark’s jean pocket. We see each other. He is seeing each one of us.
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on the intense yearning of the indefinable – a response to SEHNSUCHT
“Nostalgia” is appealing because its outlines are blurry, soft, malleable; it is easy to romanticize the past because you can pick and choose the parts of them you want to recall.