Month: October 2015
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Criticism for Theatre’s Sake
The following is an excerpt from Chapter 20 (pp. 261 – 264) of Mark Fisher’s book How To Write About Theatre, published by Bloomsbury and released in paperback in August, […]
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A World Premiere Doubling as a Grand Finale
Th opening of “Life & Times – Episodes 7-8-9” marks the end of Nature Theater of Oklahoma as an ensemble of makers and players.
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Agua Dulce Dance Theater’s “Deep Listening” Maps Puerto Rican History @ The Pregones Theater
Angela Mariana Schöpke and Alicia Diaz talk Puerto Rico, Bomba, and cultural heritage in contemporary dance.
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We’re All in This Together: site-responsive theater and time travel in Detroit’s urban gardens
“All plots are not stories, all stories are not plots…”
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Being In Action – Enacting critical discourse that prioritizes context, connection, and compassion as modes of intervention
Open Spectrum Critical Community Dialogues: Faces of Resistance: Young, Organized & Unified (#FORYOU)
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MMAKGOSI KGABI IN SHADES OF A QUEEN
Paulina Barros on Mmakgosi Kgabi’s SHADES OF A QUEEN, Queer New York International Arts Festival.
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Jeanine Durning’s “inging” & “To Being”
She looks directly at me, and I show her how I’m listening. The exchange has nothing to do with language.
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Loops, Gender, and Infinity: A Thought Experiment with Idgy Dean
Claire Tighe responds to Idgy Dean’s ETLE Universe Looping Workshop.
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The NEA at 50 and The Death of the Public Good
“When are we artists and when are we everyone?” The answer, of course, is that artists are always everyone, we are members of a greater Public, and it is in acknowledging this that artists can create change.
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Laughing with Leonie Pony of ponydance
That feeling when it’s in your belly and you just want to smile. That’s the moment.