Live Art – Culturebot

The Chaos Porn of Gelitin, Young Boy Dancing Group, and Alex Tatarsky

we come to performance to watch people get wrecked and wreck each other in a simulated way, while remaining in the comfort of our own private spectatorship

Sha Creative Outlet: XS at The Center at West Park

Like a giant notebook portfolio or a crumpled map in the glove box of a borrowed car, the paper endures, holds the changes, shows the history of Sha and Sarah’s togetherness— and our witnessing of that togetherness.

The National Gallery’s “Homecoming” and a Love Letter Between the Lines

Let us, then, be the dreamers of the empty space between repetitions that sows fertile soil for difference and kinship.

Hyperfantasia at The Brick Theater

Question everything. Laugh often. And be proud as peacocks, amoebas and hominids—you’re alive, and it’s June!

Main Character Syndrome

If performance is an intersection between the realness of live embodiment and the fantastical suspension of reality, then this is true performance.

“P I N E” by m i c c a @ Beach 81st, Far Rockaway

I put my arms around the dry branches, sunk my face between the needles. I remembered holding you like this before you left. I remembered when we did this without thinking.

Sophia Cleary’s “One & Only” at The Kitchen

“I aim to be a balance between a healer, a dictator, and an anarchist” – Sophia Cleary

What Do You Miss? Reflections on KAREN, I SAID

Eliza Bent is about as close to a recognizable brand as you can get in downtown theater land (I say this in a good way) – she has a specific and winning skewed sensibility and a propensity for characters, which I assumed would not be overly diminished by the Zoom platform.