I will not say “I’ve grown up” since then, because truly I see this acceptance of paid monotony as a bit of my idealism seeping out. A necessary bloodletting, at long last, giving up my mulishness in favor of a little ability to tame the storm that was my inner mind each day and each night.
From Bushwick to (off-off) Broadway: How Sasha Velour marries her night club roots with modern theatricality
This is best drag: rooted by a simple movement vocabulary elevated with full design elements embodied by a queer figure in complete control of her material.
A Humble Utopia: Liliana Dirks-Goodman’s Dinner Party 1960-2000s with chef Kristin Worrall at New York Live Arts, March 10th 2019
Feminist philosopher Grosz asks: “How can we understand space differently, in order to organize, inhabit, and structure our living arrangements differently?” Dirks-Goodman takes this as provocation for her homespun meal and her other, more intangible, offerings.
When it comes to representation, the question of whose vantage point is accepted as the default. Whose story reads as universal?
John Gutierrez writes from inside “This Bridge Called My Ass” from Miguel Gutierrez
There is an open mic and a fantasy slow dance to memories yet to occur, and a dance party that is pretty cute. I fall in love for exactly 15 minutes and it’s the best.
We share our sweat, our humidity, our heat. We weather it, as Kelly does inside the box.
“Nothing happening,” I wrote in a heavy slant down the page, “but I can’t look away.”
“Double consciousness is knowing the particularity of the white world in the face of its enforced claim to universality… Double consciousness, in other words, is knowing a lie while living its contradiction.” – Biko Maura ruminates on white privilege and the mythology of the neutral body.
Michelle Ellsworth brings a real head trip to American Realness 2018.
A response to “Farmhouse/Whorehouse: An Artist Lecture by Suzanne Bocanegra starring Lili Taylor” at the 2017 BAM Next Wave Festival
Perforations Festival brings us into direct responsibility for the execution of artistic ideas and challenges the passive stasis of sideline observation in a mostly successful series of performances that ripped apart conventional norms.