Movement Without Borders at Judson Church
A catalyst, a deep breath together, a gathering.
All posts by Dot Armstrong
“Lucky Star: superstar” at the (online) Exponential Festival
Fact and fiction, inseparable, blur and tease. Cut to disco ball, still swinging. Slow down and watch the air sparkle.
BREAKTIME at ARTS ALIVE
Created and performed by Holly Sass and Jonathan Matthews / BREAKTIME
Out of An Abundance of Caution Volume 27, The Brick Theater (Live on Twitch)
And then, time reversed itself.
Black Dance Stories with Cynthia Oliver and Marjani Forté-Saunders
Black Dance Stories is exactly what it sounds like and precisely what we need right now. It’s a distillation of insightful moments in post-performance talkbacks spliced with casual conversations you once shared over drinks, plus powerful sentiments you’re overhearing now at BLM protests.
Black Dance Stories with Jamar Roberts and Tiffany Rae-Fisher
Black Dance Stories is exactly what it sounds like and precisely what we need right now. It’s a distillation of insightful moments in post-performance talkbacks spliced with casual conversations you once shared over drinks, plus powerful sentiments you’re overhearing now at BLM protests.
Dot Armstrong in conversation with Christine Wyatt, Glenn Potter-Takashi, and Audre Wirtanen
Re-examining the words these artists shared with me about the show on March 7, I was struck by the resonance of their work in the liminal fever dream that is our current reality. At this uncanny remove of time and location, the pieces swelled with meaning. The three soloists dealt with the limitations of their bodies, examining rituals and scores and diagnoses.
DEVOTION DEVOTION at the Exponential Festival: Process Conversation with Lydia Mokdessi
This body unfurls in slow motion, leaving ample space for labels, classifications, and archetypes to land upon her and vanish.
Martine Gutierrez’s CIRCLE at Performance Space New York
I start to explain something about artistic agency over visual archives of original work but all that comes out is I guess we’re all in trouble.