Peeling back the layers of SKIN
Wearing the mask in no way erases the company’s differences, but rather unites them as they all create together on a level playing field.
The Magic of Diana Oh’s THE INFINITE LOVE PARTY
There is an open mic and a fantasy slow dance to memories yet to occur, and a dance party that is pretty cute. I fall in love for exactly 15 minutes and it’s the best.
Nora’s Children are Millennial Artists in A DOLLS HOUSE, PART 3
Michael + Patrick seem to be rebelling against the theater’s ruling class: kitchen sink dramas, heady idea plays, and — worst of all — amusement park attractions masquerading as Broadway musicals. And so Michael + Patrick have created something else, something other.
Half Straddle’s IS THIS A ROOM at the Kitchen
Tina Satter’s direction and Half Straddle’s pitch-perfect company establish and then maintain an unblinking focus that cuts through the dissipating fog and rewards the audience’s taut attention.
Making and Shaping Work as Artists and as a Cohort
Considerations of how to communicate certain ideas, evoke abstract affects, and share stories explicitly offer possibilities for shared dialogue.
Theater and Intimacy: A Conversation with Caitlin Ryan O’Connell & Xandra Clark
In Polylogues, the audience is watching me, and specifically me trying to listen. You’re watching that effort.
Sex Werk: Jeremy O. Harris’ Slave Play
If fantasy has the power to instantiate, and maintain such debilitating power structures, could it also be the very force required to undo them?
to go is to be going, but not to get there – Mina Nishimura & Julian Barnett Double Plus
Here, thoughts are freed from linearity or reasonable binds. There, processing systems allow the universe to expand and retract as an infinite sponge. Where bodies transmute from human familiars to alien exotica.
The Watching of THE MAKING OF KING KONG
The Making of King Kong sets out to unpack the monstrosity of our current cultural moment via the monkey, simultaneously evoking a 1930s acting style (transatlantic accents abound) while complicating itself with very-much-now identity politic-infused dialogue.
“Cutting through chit chat kit kat” with Gideon Irving
the art that really connects to me is about the little tiny very specific pieces of life, always needing to retie your shoelace, the way your kid wipes his tears away with his palms, the way someone’s hair looked under a neon sign, the oddly beautiful mold encasing a dead bug at the bottom of a puddle on a mountain
Mia Barron on THE WHITE ALBUM
I’ve found it terrifying at times, and surprised about how different it has felt for me. But it’s brought a deeper sort of pleasure, not least of which is that I am so proud of what we’re doing.
Extended Play(fulness) & Big Dance Theater’s Antigonick
While the subject matter is dead serious, the style and aesthetic approach feels giddy, unafraid of big stupid choices when they’re appropriate.